Heirs Come to Pass, 3

Martina Lopez, Heirs Come to Pass, 3, 1991, silver dye bleach print made from digitally assisted montage, sheet, image and mount: 3050 in. (76.2127.0 cm.), Smithsonian American Art Museum, Gift of the Consolidated Natural Gas Company Foundation, 1998.85, © 1998, Martina Lopez

Artwork Details

Title
Heirs Come to Pass, 3
Date
1991
Location
Not on view
Dimensions
sheet, image and mount: 3050 in. (76.2127.0 cm.)
Copyright
© 1998, Martina Lopez
Credit Line
Gift of the Consolidated Natural Gas Company Foundation
Mediums Description
silver dye bleach print made from digitally assisted montage
Classifications
Subjects
  • Allegory — life — family
  • Figure group
Object Number
1998.85

Artwork Description

Most families assemble photo albums—scrapbooks brimming with the faces of relatives dimly remembered, photographs of parents looking younger than we ever knew them, or images of ourselves as children—that create a loosely assembled history. Rather than drawing on her own family’s past, however, Martina Lopez collaged pictures of anonymous individuals she found in second-hand stores into digitally created tableaux that are at once familiar and haunting. Charged with implied narratives that we can never completely understand, her images resonate with our own experiences to remind us of the complicated patterns of our lives.

Close to Home: Photographers and their Families, 2011

Works by this artist (1 item)

More Artworks from the Collection

Dwinell Grant, Zigzag, 1937, watercolor and pencil on paper, Smithsonian American Art Museum, Gift of Patricia and Phillip Frost, 1986.92.37
Zigzag
Date1937
watercolor and pencil on paper
Not on view
William H. Johnson, City Gates, Kairouan, ca. 1932, watercolor and pencil on paper, Smithsonian American Art Museum, Gift of the Harmon Foundation, 1967.59.67
City Gates, Kairouan
Dateca. 1932
watercolor and pencil on paper
Not on view
Cass Gilbert, Mt. Vesuvius from the Bay of Naples, 1905, watercolor and pencil on paper, Smithsonian American Art Museum, Bequest of Emily Finch Gilbert through Julia Post Bastedo, executor, 1962.13.43
Mt. Vesuvius from the Bay of Naples
Date1905
watercolor and pencil on paper
Not on view
Cass Gilbert, Arches of Palace of Nero, 1933, watercolor and pencil on paper, Smithsonian American Art Museum, Bequest of Emily Finch Gilbert through Julia Post Bastedo, executor, 1962.13.67
Arches of Palace of Nero
Date1933
watercolor and pencil on paper
Not on view