His Instrument for Justice

Lauren Austin, His Instrument for Justice, 2012, commercial cotton fabric, hand-dyed cotton by artist, brocade, and cotton-batting, 3546 in., Smithsonian American Art Museum, Gift of Fleur S. Bresler, 2023.40.3, © 2012, Lauren A. Austin

Artwork Details

Title
His Instrument for Justice
Date
2012
Dimensions
3546 in.
Copyright
© 2012, Lauren A. Austin
Credit Line
Gift of Fleur S. Bresler
Mediums
Mediums Description
commercial cotton fabric, hand-dyed cotton by artist, brocade, and cotton-batting
Classifications
Subjects
  • Object — written matter — newspaper
  • Object — other — telephone
  • Object — fruit — orange
  • Object — art object — photograph
  • Still life — other — typewriter
Object Number
2023.40.3

Artwork Description

Lauren Austin 
born 1959, Boston, MA
resides Altamonte Springs, FL 

His Instrument for Justice
2012
commercial cotton fabric, cotton hand-dyed by artist, brocade, and cotton batting

Laura Austin stitched this quilt to tell the story of Harry T. Moore, who is considered the first martyr of the Civil Rights Movement. Moore was executive secretary of the Florida chapter of the National Association for the Advancement of Colored People (NAACP). In 1949, he organized a campaign against the wrongful conviction of four teens—Ernest Thomas, Charles Greenlee, Samuel Shepherd, and Walter Irvin—who were falsely accused of raping a woman named Norma Padgett and assaulting her husband on July 16, 1949. 

Three red talhakimt amulets appear on the right side of the quilt, offering protection for Moore and his wife Harriette as they traditionally do for Tuareg-Berber travelers. The typewriter holds the last letter Moore sent to Governor Fuller Warren, on December 2, 1951, demanding justice for the accused. On Christmas Day that year, a bomb went off underneath the Moores’ home, a cottage set in a secluded orange grove, killing the couple. It was their twenty-fifth wedding anniversary. 

Smithsonian American Art Museum, Gift of Fleur S. Bresler, 2023.40.3, © 2012, Lauren A. Austin

 

We Gather at the Edge: Contemporary Quilts of Black Women Artists, 2025

Works by this artist (2 items)

Lauren Austin, His Instrument for Justice, 2012, commercial cotton fabric, hand-dyed cotton by artist, brocade, and cotton-batting, Smithsonian American Art Museum, Gift of Fleur S. Bresler, 2023.40.3, © 2012, Lauren A. Austin
His Instrument for Justice
Date2012
commercial cotton fabric, hand-dyed cotton by artist, brocade, and cotton-batting
On view
Lauren Austin, Day Garden, 2019, commercial cotton fabric, beads, hand dyed by artist fabric, textile paint, and ink, Smithsonian American Art Museum, Gift of Carolyn L. Mazloomi, 2023.20.3, © 2019, Lauren A. Austin
Day Garden
Date2019
commercial cotton fabric, beads, hand dyed by artist fabric, textile paint, and ink
On view

More Artworks from the Collection

Peggie L. Hartwell, Lucy Prince: The Griot's Voice, 2012, cotton fabric and cotton batt, Smithsonian American Art Museum, Gift of Fleur S. Bresler, 2023.40.2
Lucy Prince: The Griot’s Voice
Date2012
cotton fabric and cotton batt
On view
Sandra Noble, The Little Rock Nine, 2012, cotton fabric and batting, Smithsonian American Art Museum, Gift of Carolyn L. Mazloomi, 2023.20.4, © 2023, Sandra E. Noble
The Little Rock Nine
Date2012
cotton fabric and batting
Not on view
Kathryn Clark, Washington, D.C. Foreclosure Quilt, 2015, linen, cotton, and recycled thread, Smithsonian American Art Museum, Museum purchase through the Stephen D. Thurston Memorial Fund, 2015.40, © 2015, Kathryn Clark
Washington, D.C. Foreclosure Quilt
Date2015
linen, cotton, and recycled thread
Not on view
Bisa Butler, Don't Tread on Me, God Damn, Let's Go! - The Harlem Hellfighters, 2021, cottons, silk, wool, and velvet, Smithsonian American Art Museum, Gift of David Bonderman, 2022.25, © 2022, Bisa Butler
Don’t Tread on Me, God Damn, Let’s Go! — The Harlem…
Date2021
cottons, silk, wool, and velvet
Not on view