Hól-te-mál-te-téz-te-néek-ee, Sam Perryman

George Catlin, Hól-te-mál-te-téz-te-néek-ee, Sam Perryman, 1834, oil on canvas, Smithsonian American Art Museum, Gift of Mrs. Joseph Harrison, Jr., 1985.66.289
Copied George Catlin, Hól-te-mál-te-téz-te-néek-ee, Sam Perryman, 1834, oil on canvas, 2924 in. (73.760.9 cm), Smithsonian American Art Museum, Gift of Mrs. Joseph Harrison, Jr., 1985.66.289
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Artwork Details

Title
Hól-te-mál-te-téz-te-néek-ee, Sam Perryman
Date
1834
Location
Not on view
Dimensions
2924 in. (73.760.9 cm)
Credit Line
Gift of Mrs. Joseph Harrison, Jr.
Mediums
Mediums Description
oil on canvas
Classifications
Subjects
  • Portrait male — Perryman, Sam — waist length
  • Portrait male — Perryman, Sam
  • Indian — Creek
  • Dress — Indian dress
Object Number
1985.66.289

Artwork Description

“I have given the portraits of two distinguished men, and I believe, both chiefs. The first by the name of Stee-cha-co-me-co (the great king), familiarly called ‘Ben Perryman [see 1985.66.288];’ and the other, Hol-te-mal-te-tez-te-neehk-ee . . . called ‘Sam Perryman.’ These two men are brothers, and are fair specimens of the tribe [Creek/Muskogee], who are mostly clad in calicoes, and other cloths of civilized manufacture; tasselled and fringed off by themselves in the most fantastic way, and sometimes with much true and picturesque taste. They use a vast many beads, and other trinkets, to hang upon their necks, and ornament their moccasins and beautiful belts.” George Catlin created this painting at Fort Gibson, Arkansas Territory, in 1834. (Catlin, Letters and Notes, vol. 2, no. 49, 1841; reprint 1973)