I Know Why the Caged Bird Beats His Wings

Bisa Butler, I Know Why the Caged Bird Beats His Wings, 2012, commercial cotton fabric, rayon, linen, chiffon, batik fabric, cotton batting, acrylic paint, and polyester fabric, 49 × 47 14 in. (124.5 × 120.0 cm), Smithsonian American Art Museum, Gift of Fleur S. Bresler, 2023.40.5

Artwork Details

Title
I Know Why the Caged Bird Beats His Wings
Artist
Date
2012
Dimensions
49 × 47 14 in. (124.5 × 120.0 cm)
Credit Line
Gift of Fleur S. Bresler
Mediums Description
commercial cotton fabric, rayon, linen, chiffon, batik fabric, cotton batting, acrylic paint, and polyester fabric
Classifications
Subjects
  • Portrait male — Dunbar, Paul Laurence
  • Occupation — writer — poet
  • African American
  • Animal — bird
Object Number
2023.40.5

Artwork Description

Bisa Butler 
born 1973, Orange, NJ
resides West Orange, NJ

I Know Why the Caged Bird Beats His Wings
2012
commercial cotton fabric, rayon, linen, chiffon, batik fabric, cotton batting, acrylic paint, and polyester fabric

As a student at Howard University in Washington, DC, Bisa Butler would often walk by Dunbar High School on her way to class. She later learned that the school, named for poet Paul Lawrence Dunbar, was the first public high school for African American students in the nation, having opened its doors in 1870 in the ??basement of the Fifteenth Street Presbyterian Church. As Butler researched Dunbar’s life in photographs, she admired how his stylish self-presentation mirrored his poetry, which he wrote in a Black vernacular dialect. 

This portrait quilt of Dunbar features the poet in front of a caged bird and a bird flying freely, visually connecting Black expressive culture to liberation. A few lines from Dunbar’s poem “Sympathy,” from which Maya Angelou derived the title of her acclaimed memoir, float around the border. Butler realizes Dunbar’s life, his words, his character, in dazzling color, layering hand-dyed batiks using a technique called appliqué. 

Smithsonian American Art Museum, Gift of Fleur S. Bresler, 2023.40.5

Works by this artist (744 items)

William Zorach, Seated Girl (with hands under legs), 1930, cast and patinated plaster, Smithsonian American Art Museum, Gift of Tessim Zorach and Dahlov Ipcar, 1971.449.8
Seated Girl (with hands under legs)
Date1930
cast and patinated plaster
On view
William Zorach, Mother and Child (study), ca. 1926, plaster, Smithsonian American Art Museum, Gift of Tessim Zorach and Dahlov Ipcar, 1968.154.153
Mother and Child (study)
Dateca. 1926
plaster
On view
William Zorach, Study for Head of Moses, ca. 1950, unfired ceramic, Smithsonian American Art Museum, Gift of Tessim Zorach and Dahlov Ipcar, 1968.154.161
Study for Head of Moses
Dateca. 1950
unfired ceramic
On view
William Zorach, Kneeling Boy with Bird and Dog, ca. 1935, cast plaster, Smithsonian American Art Museum, Gift of Tessim Zorach and Dahlov Ipcar, 1968.154.137
Kneeling Boy with Bird and Dog
Dateca. 1935
cast plaster
On view

More Artworks from the Collection

Marguerite Zorach, (Figure Seated, Figure Leaning Over), n.d., pencil on paper, Smithsonian American Art Museum, Gift of Tessim Zorach, 1970.65.92
(Figure Seated, Figure Leaning Over)
Daten.d.
pencil on paper
Not on view
Miner Kilbourne Kellogg, Paros, n.d., pencil on paper, Smithsonian American Art Museum, Bequest of Martha F. Butler, 1991.56.286
Paros
Daten.d.
pencil on paper
Not on view