Jones was especially sensitive to the rights and roles of women. For many years she felt forced to ship rather than deliver her work in person to exhibitions so museums would not reject them because they had been done by a black female artist. In Initiation, Liberia, she interpreted the Sande society initiation ritual. The swath of white paint across the young woman’s eyes indicates her role as an initiate. The mask partly obscures her distinctive personality but combined with the receding profiles at the left of her head, suggests continuity over generations that is implied by the ritual ceremony.
African American Art: Harlem Renaissance, Civil Rights Era, and Beyond, 2012
African American Art: Harlem Renaissance, Civil Rights Era, and Beyond, 2012
- Title
-
Initiation, Liberia
- Artist
- Date
- 1983
- Location
- Not on view
- Dimensions
- 35 1⁄4 x 23 1⁄4 in. (89.6 x 59.1 cm)
- Credit Line
-
Smithsonian American Art Museum
Bequest of the artist
- Mediums
- Mediums Description
- acrylic on canvas
- Classifications
- Keywords
-
- Allegory – life – womanhood
- Figure female – head
- Object Number
-
2006.24.7
- Palette
- Linked Open Data
- Linked Open Data URI
