John the Baptist from the Prevalence of Ritual Suite

Image Not Available
Romare Bearden, John the Baptist from the Prevalence of Ritual Suite, 1974, screenprint, image: 3137 12 in. (78.795.3 cm), Smithsonian American Art Museum, Gift of Byron Lewis, 2009.42.5

Artwork Details

Title
John the Baptist from the Prevalence of Ritual Suite
Date
1974
Location
Not on view
Dimensions
image: 3137 12 in. (78.795.3 cm)
Credit Line
Gift of Byron Lewis
Mediums Description
screenprint
Classifications
Subjects
  • Religion — saint — St. John the Baptist
Object Number
2009.42.5

Artwork Description

For a series of prints called the Prevalence of Ritual, Bearden reconfigured age-old stories as allegories of modern life. In John the Baptist he drew on the biblical story of Salome, who had performed a dance for King Herod that so pleased him he offered to grant anything she might ask. At her mother’s urging the young girl requested the head of John the Baptist, who had spoken out against her mother’s marriage to the king. The masklike heads of the figures in John the Baptist blend West African and Egyptian visual traditions with a narrative about vengeance and naïveté.


African American Art: Harlem Renaissance, Civil Rights Era, and Beyond, 2012

Works by this artist (5 items)

Charles "Chaz" Bojórquez, Somos La Luz, 1992, oil, zolatone, aluminum paint and aluminum leaf on canvas, Smithsonian American Art Museum, Museum purchase through the Luisita L. and Franz H. Denghausen Endowment and the Smithsonian Institution Collections Acquisition Program, 1994.81
Somos La Luz
Date1992
oil, zolatone, aluminum paint and aluminum leaf on canvas
On view
Charles "Chaz" Bojórquez, New World Order, 1994, screenprint on paper, Smithsonian American Art Museum, Gift of Gilberto Cárdenas and Dolores García, 2019.51.15, ©2020, Charles 'Chaz' Bojórquez
New World Order
Date1994
screenprint on paper
Not on view
Charles "Chaz" Bojórquez, La Mix, 1997, screenprint, Smithsonian American Art Museum, Gift of Gilberto Cárdenas and Dolores García, 2019.51.45, ©2020, Charles 'Chaz' Bojórquez
La Mix
Date1997
screenprint
Not on view
Charles "Chaz" Bojórquez, Placa/Rollcall, 1980, acrylic on canvas, Smithsonian American Art Museum, Gift of the artist, 1992.64.1
Placa/​Rollcall
Date1980
acrylic on canvas
Not on view

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City is Man
Date1941-1952
linocut
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Claire Falkenstein, Untitled, 1976, embossed paper, Smithsonian American Art Museum, Gift of The Falkenstein Foundation, 2019.27.18, ©1997, The Falkenstein Foundation
Untitled
Date1976
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Claire Falkenstein, Mandala, 1977, lithograph, Smithsonian American Art Museum, Gift of The Falkenstein Foundation, 2019.27.19, ©1997, The Falkenstein Foundation
Mandala
Date1977
lithograph
Not on view
Les Quais de la Seine a Paris
Date1917
hand-colored etching on postcard
Not on view