John Gellatly

Irving R. Wiles, John Gellatly, 1930-1932, oil on canvas, Smithsonian American Art Museum, Gift of the artist, 1932.6.1
Irving R. Wiles, John Gellatly, 1930-1932, oil on canvas, 7938 38 in. (200.897.6 cm), Smithsonian American Art Museum, Gift of the artist, 1932.6.1
Free to use

Artwork Details

Title
John Gellatly
Date
1930-1932
Location
Not on view
Dimensions
7938 38 in. (200.897.6 cm)
Credit Line
Gift of the artist
Mediums
Mediums Description
oil on canvas
Classifications
Subjects
  • Architecture Interior — domestic
  • Portrait male — Gellatly, John
  • Occupation — other — connoisseur
Object Number
1932.6.1

Artwork Description

Art collecting is a hobby for some, but for John Gellatly it was a passion. His buying began in collaboration with his first wife, Edith Rogers (1858--1913), whose family manufactured railroad locomotives. The couple supported many contemporary American artists, including Abbott Handerson Thayer, Thomas Wilmer Dewing, John Henry Twachtman, and Albert Pinkham Ryder--all painters influenced by French impressionism. The Gellatlys also collected decorative arts, especially glass. After Edith's death, John's collecting pace increased, perhaps exceeding his means. By the time he donated his art collection to what later became the Smithsonian American Art Museum, few funds remained in the estate to settle his debts.

Sargent, Whistler, and Venetian Glass: American Artists and the Magic of Murano, 2021.

Works by this artist (14 items)

Nellie Mae Rowe, At the Art Gallery, 1979, crayon and felt tip on paper, Smithsonian American Art Museum, Museum purchase through the Luisita L. and Franz H. Denghausen Endowment and the American Women's History Initiative Acquisitions Pool, administered by the Smithsonian American Women's History Initiative, 2021.29.10
At the Art Gallery
Date1979
crayon and felt tip on paper
Not on view
Nellie Mae Rowe, Untitled (Four-Leaf Clover and Little Zebra), 1980, marker on silver gelatin print, Smithsonian American Art Museum, Museum purchase through the Luisita L. and Franz H. Denghausen Endowment and the American Women's History Initiative Acquisitions Pool, administered by the Smithsonian American Women's History Initiative, 2021.29.6
Untitled (Four-Leaf Clover and Little Zebra)
Date1980
marker on silver gelatin print
Not on view
Nellie Mae Rowe, Church Lady in Pants Suit, 1980, crayon and pencil on paper, Smithsonian American Art Museum, Museum purchase through the Luisita L. and Franz H. Denghausen Endowment and the American Women's History Initiative Acquisitions Pool, administered by the Smithsonian American Women's History Initiative, 2021.29.9
Church Lady in Pants Suit
Date1980
crayon and pencil on paper
Not on view
Nellie Mae Rowe, Untitled (Landscape with Black Girl), ca. 1980, crayon on paper, Smithsonian American Art Museum, Gift of Chuck and Jan Rosenak and museum purchase through the Luisita L. and Franz H. Denghausen Endowment, 1997.124.131
Untitled (Landscape with Black Girl)
Dateca. 1980
crayon on paper
Not on view

Related Posts

Diorama showing a miniaturized corner of a room with small paintings and glass
How John Gellatly’s eclectic collection of fine and decorative arts took over his New York home and six rooms in the Heckscher Building
A photograph of a woman.
Katie Hondorf
Public Affairs Specialist

More Artworks from the Collection

Nellie Mae Rowe, Church Lady in Pants Suit, 1980, crayon and pencil on paper, Smithsonian American Art Museum, Museum purchase through the Luisita L. and Franz H. Denghausen Endowment and the American Women's History Initiative Acquisitions Pool, administered by the Smithsonian American Women's History Initiative, 2021.29.9
Church Lady in Pants Suit
Date1980
crayon and pencil on paper
Not on view
Man Ray, Détachement-soulever le fil-regarder le dessín, 1970, felt-tipped pen and ink, crayon, pencil, string and postage stamp on paper, Smithsonian American Art Museum, Gift of Juliet Man Ray, 1980.102.3
Détachement-soulever le fil-regarder le dessín
Artist
Date1970
felt-tipped pen and ink, crayon, pencil, string and postage stamp on paper
Not on view
Bill Beirne, Cross Reference, production notes (directional diagram), 1976, crayon, pencil, and ink on paper with additions in collage, Smithsonian American Art Museum, Museum purchase through the Gene Davis Memorial Fund, 2015.6.6, © 1976, Bill Beirne
Cross Reference, production notes (directional diagram)
Date1976
crayon, pencil, and ink on paper with additions in collage
Not on view