Locomotives, Jersey City

Reginald Marsh, Locomotives, Jersey City, 1934, oil on canvas mounted on fiberboard, Smithsonian American Art Museum, Bequest of Felicia Meyer Marsh, 1979.127.1
Reginald Marsh, Locomotives, Jersey City, 1934, oil on canvas mounted on fiberboard, 36 1848 14 in. (91.9122.5 cm.), Smithsonian American Art Museum, Bequest of Felicia Meyer Marsh, 1979.127.1

Artwork Details

Title
Locomotives, Jersey City
Date
1934
Dimensions
36 1848 14 in. (91.9122.5 cm.)
Credit Line
Bequest of Felicia Meyer Marsh
Mediums
Mediums Description
oil on canvas mounted on fiberboard
Classifications
Subjects
  • Cityscape — New Jersey — Jersey City
  • Architecture — industry — railroad yard
  • Architecture — vehicle — train
  • Figure group
Object Number
1979.127.1

Artwork Description

Locomotives, Jersey City is from a series of paintings Reginald Marsh did in the 1930s that focuses on modes of transportation. Here, four mighty trains power along the tracks, while the smoke and steam emitted from the smokestacks trail behind. In the distance, Marsh painted a cloud of smoke using a thin oil wash, creating a backdrop that is both delicate and dense. Together, the distant smoke clouds and those coming from the locomotives obscure much of the sky. The painting's gritty colors reflect the urban environment of Jersey City, which was a manufacturing center in the years preceding World War II. Railroads, however, were the biggest employer and owned a third of the city's nearly fifteen square miles. It was here that the national train networks terminated (Andrew Jacobs, "A City Whose Time Has Come Again," New York Times, April 30, 2000).

Works by this artist (27 items)

Max Weber, Summer, 1909, oil on canvas, Smithsonian American Art Museum, Museum purchase through the Luisita L. and Franz H. Denghausen Endowment, 1993.7
Summer
Date1909
oil on canvas
On view
Max Weber, Reclining Nude--Abstract, n.d., charcoal on paper, Smithsonian American Art Museum, Gift of Joy S. Weber, 1997.44.2
Reclining Nude – Abstract
Daten.d.
charcoal on paper
Not on view
Max Weber, Standing Nude, 1919-1920, color woodcut on paper, Smithsonian American Art Museum, Given in memory of Daryl R. Rubenstein by the Washington Print Club and Individual Club Members, 1981.95
Standing Nude
Date1919-1920
color woodcut on paper
Not on view
Max Weber, Standing Female Figure, 1951-1952, woodcut on paper, Smithsonian American Art Museum, Museum purchase, 1969.94
Standing Female Figure
Date1951-1952
woodcut on paper
Not on view

More Artworks from the Collection

Claire Falkenstein, City is Man, 1941-1952, linocut, Smithsonian American Art Museum, Gift of The Falkenstein Foundation, 2019.27.14, ©1997, The Falkenstein Foundation
City is Man
Date1941-1952
linocut
Not on view
Claire Falkenstein, Untitled, 1976, embossed paper, Smithsonian American Art Museum, Gift of The Falkenstein Foundation, 2019.27.18, ©1997, The Falkenstein Foundation
Untitled
Date1976
embossed paper
Not on view
Claire Falkenstein, Mandala, 1977, lithograph, Smithsonian American Art Museum, Gift of The Falkenstein Foundation, 2019.27.19, ©1997, The Falkenstein Foundation
Mandala
Date1977
lithograph
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Les Quais de la Seine a Paris
Date1917
hand-colored etching on postcard
Not on view