Look Down That Road

Charles Pollock, Look Down That Road, 1942, oil on canvas mounted on fiberboard, Smithsonian American Art Museum, Transfer from the Archives of American Art, Smithsonian Institution, 1975.94.2, © 1942 Charles Pollock Archives
Charles Pollock, Look Down That Road, 1942, oil on canvas mounted on fiberboard, 3848 in. (96.4122.0 cm.), Smithsonian American Art Museum, Transfer from the Archives of American Art, Smithsonian Institution, 1975.94.2, © 1942 Charles Pollock Archives

Artwork Details

Title
Look Down That Road
Date
1942
Dimensions
3848 in. (96.4122.0 cm.)
Copyright
© 1942 Charles Pollock Archives
Credit Line
Transfer from the Archives of American Art, Smithsonian Institution
Mediums
Mediums Description
oil on canvas mounted on fiberboard
Classifications
Subjects
  • Figure male
  • Landscape — road
  • African American
Object Number
1975.94.2

Artwork Description

In this painting a black man sits on a suitcase, pondering a future that lies around a bend in the road and cannot be seen. The turbulent sky echoes the man’s loneliness, as if he has already traveled far from home. Charles Pollock painted this image during the Second World War, and it evokes the turmoil experienced by many men as they left their homes and families to join the war effort. Pollock likely took the title from “Look Down that Lonesome Road,” an African American folk song recorded by Alan Lomax during the Depression years. The style of Pollock’s painting reflects his years as a student of Thomas Hart Benton, who along with Grant Wood and John Steuart Curry formed the “Holy Trinity” of American scene painters in the 1930s.

Works by this artist (1 item)

Sondra Freckelton, Harvest, 1978, watercolor and pencil on paper, Smithsonian American Art Museum, Gift of the Sara Roby Foundation, 1986.6.32
Harvest
Date1978
watercolor and pencil on paper
Not on view

More Artworks from the Collection

William H. Johnson, City Gates, Kairouan, ca. 1932, watercolor and pencil on paper, Smithsonian American Art Museum, Gift of the Harmon Foundation, 1967.59.67
City Gates, Kairouan
Dateca. 1932
watercolor and pencil on paper
Not on view
William H. Johnson, Kerteminde Hillside, ca. 1930-1932, pen and ink, watercolor, and pencil on paper, Smithsonian American Art Museum, Gift of the Harmon Foundation, 1967.59.49
Kerteminde Hillside
Dateca. 1930-1932
pen and ink, watercolor, and pencil on paper
Not on view
Bill Traylor, Untitled (Brown Pig), April 1940, opaque watercolor and pencil on paperboard, Smithsonian American Art Museum, The Margaret Z. Robson Collection, Gift of John E. and Douglas O. Robson, 2016.38.70, © 1994, Bill Traylor Family Trust
Untitled (Brown Pig)
DateApril 1940
opaque watercolor and pencil on paperboard
Not on view
Awa Tsireh, Buffalo Man, Buffalo Dance, ca. 1920-1930, watercolor and pencil on paperboard, Smithsonian American Art Museum, Corbin-Henderson Collection, gift of Alice H. Rossin, 1979.144.24
Buffalo Man, Buffalo Dance
Dateca. 1920-1930
watercolor and pencil on paperboard
Not on view