Mammoth Hot Springs, Yellowstone

Thomas Moran, Mammoth Hot Springs, Yellowstone, 1872, watercolor and pencil on paper, Smithsonian American Art Museum, Gift of Mrs. Armistead Peter III, 1958.5.2
Thomas Moran, Mammoth Hot Springs, Yellowstone, 1872, watercolor and pencil on paper, sheet: 14 1410 38 in. (36.326.4 cm), Smithsonian American Art Museum, Gift of Mrs. Armistead Peter III, 1958.5.2
Free to use

Artwork Details

Title
Mammoth Hot Springs, Yellowstone
Artist
Date
1872
Location
Not on view
Dimensions
sheet: 14 1410 38 in. (36.326.4 cm)
Credit Line
Gift of Mrs. Armistead Peter III
Mediums Description
watercolor and pencil on paper
Classifications
Subjects
  • Landscape — phenomenon — hot spring
  • Landscape — Wyoming
  • Landscape — park — Yellowstone National Park
  • Landscape — mountain
Object Number
1958.5.2

Works by this artist (88 items)

Thomas Moran, The Grand Canyon of the Yellowstone, 1893-1901, oil on canvas, Smithsonian American Art Museum, Gift of George D. Pratt, 1928.7.1
The Grand Canyon of the Yellowstone
Date1893-1901
oil on canvas
On view
Thomas Moran, Fort George Island, Florida, 1878, oil on canvas, Smithsonian American Art Museum, Gift of Neil M. Judd, 1970.73
Fort George Island, Florida
Date1878
oil on canvas
On view
Thomas Moran, A Mexican Hacienda, Lake Cuitzeo, 1885, oil on wood, Smithsonian American Art Museum, Transfer from the U.S. Department of the Interior, National Park Service, 1968.120.2
A Mexican Hacienda, Lake Cuitzeo
Date1885
oil on wood
On view

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Thomas Moran, Shin-Au-Av-Tu-Weap (God Land), Cañon of the Colorado. Utah Ter., 1873-1874, watercolor and pencil on paper, Smithsonian American Art Museum, Gift of Dr. William Henry Holmes, 1930.12.42
Shin-Au-Av-Tu-Weap (God Land), Cañon of the Colorado. Utah…
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Cass Gilbert, Porta San Paulo, Rome, 1880, watercolor and pencil on paper, Smithsonian American Art Museum, Bequest of Emily Finch Gilbert through Julia Post Bastedo, executor, 1962.13.22
Porta San Paulo, Rome
Date1880
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Cass Gilbert, Cathedral Tower, Pistoia, Italy, 1898, watercolor and pencil on paper, Smithsonian American Art Museum, Bequest of Emily Finch Gilbert through Julia Post Bastedo, executor, 1962.13.35
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