Man with the Cat (Henry Sturgis Drinker)

Cecilia Beaux, Man with the Cat (Henry Sturgis Drinker), 1898, oil on canvas, Smithsonian American Art Museum, Bequest of Henry Ward Ranger through the National Academy of Design, 1952.10.1
Cecilia Beaux, Man with the Cat (Henry Sturgis Drinker), 1898, oil on canvas, 4834 58 in. (121.987.8 cm.), Smithsonian American Art Museum, Bequest of Henry Ward Ranger through the National Academy of Design, 1952.10.1
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Artwork Details

Title
Man with the Cat (Henry Sturgis Drinker)
Date
1898
Dimensions
4834 58 in. (121.987.8 cm.)
Credit Line
Bequest of Henry Ward Ranger through the National Academy of Design
Mediums
Mediums Description
oil on canvas
Classifications
Highlights
Subjects
  • Occupation — education
  • Occupation — industry — railroad
  • Architecture Interior — domestic
  • Animal — cat
Object Number
1952.10.1

Artwork Description

Cecilia Beaux's portrait of Henry Sturgis Drinker is an interesting pairing of artist and sitter. Drinker was Beaux's brother-in-law, a railroad executive who later became president of Lehigh University. In the 1890s, men such as Drinker were at the pinnacle of East Coast society, and their tastes shaped public life for decades.

Beaux was a fiercely independent woman who lived well, kept handsome lovers, and had a will of iron. At a time when few women could, she carved out a career for herself as a portraitist, and was thought to rival John Singer Sargent. Drinker's mutton-chop whiskers, linen suit, and casual pose convey immense self-assurance, but his steady, almost wary gaze suggests that he recognized in the artist a personality as strong as his own.

Exhibition Label, Smithsonian American Art Museum, 2006

Works by this artist (10 items)

Carrie Mae Weems, Lincoln, Lonnie, and Me - A Story in 5 Parts, 2012, video installation and mixed media, color, sound; 18:29 minutes, Smithsonian American Art Museum, Museum purchase through the American Women's History Initiative Acquisitions Pool, administered by the Smithsonian American Women's History Initiative, 2023.9A-G, © Carrie Mae Weems. Courtesy of the artist and Jack Shainman Gallery, New York.
Lincoln, Lonnie, and Me — A Story in 5 Parts
Date2012
video installation and mixed media, color, sound; 18:29 minutes
Not on view
Carrie Mae Weems, Suspended Belief, from the series Constructing History, 2008, archival pigment print, Smithsonian American Art Museum, Museum purchase through the Luisita L. and Franz H. Denghausen Endowment, 2022.48.5, © Carrie Mae Weems. Courtesy of the artist and Jack Shainman Gallery, New York.
Suspended Belief, from the series Constructing History
Date2008
archival pigment print
Not on view
Carrie Mae Weems, A Woman Observes, from the series Constructing History, 2008, archival pigment print, Smithsonian American Art Museum, Museum purchase through the Luisita L. and Franz H. Denghausen Endowment, 2022.48.1, © Carrie Mae Weems. Courtesy of the artist and Jack Shainman Gallery, New York.
A Woman Observes, from the series Constructing History
Date2008
archival pigment print
Not on view

More Artworks from the Collection

Salvatore Mancini, Narragansett Electric, 2000, gelatin silver print, Smithsonian American Art Museum, Gift of Joseph A. Chazan, M.D., 2002.80.8
Narragansett Electric
Date2000
gelatin silver print
Not on view
Salvatore Mancini, Remains of Lock, Millville, 2000, gelatin silver print, Smithsonian American Art Museum, Gift of Joseph A. Chazan, M.D., 2002.80.6
Remains of Lock, Millville
Date2000
gelatin silver print
Not on view
Keisha Scarville, Chair, 2001, gelatin silver print, Smithsonian American Art Museum, Gift of the Perkins Center for the Arts, 2002.17, © 2001, Keisha Scarville
Chair
Date2001
gelatin silver print
Not on view
Salvatore Mancini, Eel Fisherman, 2000, gelatin silver print, Smithsonian American Art Museum, Gift of Joseph A. Chazan, M.D., 2002.80.2
Eel Fisherman
Date2000
gelatin silver print
Not on view