Man with the Cat (Henry Sturgis Drinker)

Cecilia Beaux, Man with the Cat (Henry Sturgis Drinker), 1898, oil on canvas, Smithsonian American Art Museum, Bequest of Henry Ward Ranger through the National Academy of Design, 1952.10.1
Cecilia Beaux, Man with the Cat (Henry Sturgis Drinker), 1898, oil on canvas, 4834 58 in. (121.987.8 cm.), Smithsonian American Art Museum, Bequest of Henry Ward Ranger through the National Academy of Design, 1952.10.1
Free to use

Artwork Details

Title
Man with the Cat (Henry Sturgis Drinker)
Date
1898
Dimensions
4834 58 in. (121.987.8 cm.)
Credit Line
Bequest of Henry Ward Ranger through the National Academy of Design
Mediums
Mediums Description
oil on canvas
Classifications
Highlights
Subjects
  • Architecture Interior — domestic
  • Occupation — industry — railroad
  • Occupation — education
  • Animal — cat
Object Number
1952.10.1

Artwork Description

Cecilia Beaux's portrait of Henry Sturgis Drinker is an interesting pairing of artist and sitter. Drinker was Beaux's brother-in-law, a railroad executive who later became president of Lehigh University. In the 1890s, men such as Drinker were at the pinnacle of East Coast society, and their tastes shaped public life for decades.

Beaux was a fiercely independent woman who lived well, kept handsome lovers, and had a will of iron. At a time when few women could, she carved out a career for herself as a portraitist, and was thought to rival John Singer Sargent. Drinker's mutton-chop whiskers, linen suit, and casual pose convey immense self-assurance, but his steady, almost wary gaze suggests that he recognized in the artist a personality as strong as his own.

Exhibition Label, Smithsonian American Art Museum, 2006

Works by this artist (9 items)

Arnold Blanch, Near Kingston, lithograph, Smithsonian American Art Museum, Transfer from the Evander Childs High School, Bronx, New York through the General Services Administration, 1975.83.33
Near Kingston
lithograph
Not on view
Arnold Blanch, Harvest Scene (mural study, Fredonia, New York Post Office), ca. 1937, tempera on illustration board, Smithsonian American Art Museum, Transfer from the Internal Revenue Service through the General Services Administration
, 1962.8.28
Harvest Scene (mural study, Fredonia, New York Post Office)
Dateca. 1937
tempera on illustration board
Not on view
Arnold Blanch, Winter Day, 1935-1941, pencil, conte crayon and pen and ink with white on paper, Smithsonian American Art Museum, Transfer from the Evander Childs High School, Bronx, New York through the General Services Administration, 1975.83.102
Winter Day
Date1935-1941
pencil, conte crayon and pen and ink with white on paper
Not on view
Esso (Country Gas Station)
Date1937
lithograph on paper
Not on view

More Artworks from the Collection

Claire Falkenstein, City is Man, 1941-1952, linocut, Smithsonian American Art Museum, Gift of The Falkenstein Foundation, 2019.27.14, ©1997, The Falkenstein Foundation
City is Man
Date1941-1952
linocut
Not on view
Claire Falkenstein, Untitled, 1976, embossed paper, Smithsonian American Art Museum, Gift of The Falkenstein Foundation, 2019.27.18, ©1997, The Falkenstein Foundation
Untitled
Date1976
embossed paper
Not on view
Claire Falkenstein, Mandala, 1977, lithograph, Smithsonian American Art Museum, Gift of The Falkenstein Foundation, 2019.27.19, ©1997, The Falkenstein Foundation
Mandala
Date1977
lithograph
Not on view
Les Quais de la Seine a Paris
Date1917
hand-colored etching on postcard
Not on view