Mandara

Lino Tagliapietra, Mandara, 2005, glass, 24 14178 in. (61.643.220.3 cm), Smithsonian American Art Museum, Museum purchase made possible by the American Art Forum, 2011.6, © 2005, Lino Tagliapietra, Inc.

Artwork Details

Title
Mandara
Date
2005
Location
Not on view
Dimensions
24 14178 in. (61.643.220.3 cm)
Copyright
© 2005, Lino Tagliapietra, Inc.
Credit Line
Museum purchase made possible by the American Art Forum
Mediums Description
glass
Classifications
Object Number
2011.6

Artwork Description

Lino Tagliapietra is revered as a master glassblower and for his contributions to the field through his teaching. Mandara is a seminal example of the innovative work he has created since breaking from the factory system in Murano, Italy, to become a studio artist. His use of the 500-year-old incalmo technique, in which glass bubbles are joined to create bands of color, is visible in the blue and yellow areas. He pairs these designs with "coldworking," cutting patterns into the glass after cooling. The maturity of form and skill of this work are uniquely attributable to Tagliapietra and reflect his more than sixty years of experience.

Connections: Contemporary Craft at the Renwick Gallery, 2019

Works by this artist (9 items)

Arnold Blanch, Near Kingston, lithograph, Smithsonian American Art Museum, Transfer from the Evander Childs High School, Bronx, New York through the General Services Administration, 1975.83.33
Near Kingston
lithograph
Not on view
Arnold Blanch, Harvest Scene (mural study, Fredonia, New York Post Office), ca. 1937, tempera on illustration board, Smithsonian American Art Museum, Transfer from the Internal Revenue Service through the General Services Administration
, 1962.8.28
Harvest Scene (mural study, Fredonia, New York Post Office)
Dateca. 1937
tempera on illustration board
Not on view
Arnold Blanch, Hayrick, ca. 1938, lithograph on paper, Smithsonian American Art Museum, Museum purchase, 1966.64.8
Hayrick
Dateca. 1938
lithograph on paper
Not on view
Arnold Blanch, Fields and Hills, 1962, oil on linen, Smithsonian American Art Museum, Gift of Doris Lee, 1973.142
Fields and Hills
Date1962
oil on linen
Not on view

Exhibitions

Media - 2016.11 - SAAM-2016.11_6 - 124929
Connections: Contemporary Craft at the Renwick Gallery
November 13, 2015March 6, 2022
Connections is the Renwick Gallery’s dynamic ongoing permanent collection presentation, featuring more than 80 objects celebrating craft as a discipline and an approach to living differently in the modern world.

More Artworks from the Collection

Bently
Dateca. 1975
gelatin silver print
Not on view
Eugene Von Bruenchenhein, Untitled, ca. 1945-1950, gelatin silver print, Smithsonian American Art Museum, Gift of Lewis and Jean Greenblatt, 2002.86.9
Untitled
Dateca. 1945-1950
gelatin silver print
Not on view
Eugene Von Bruenchenhein, Untitled, ca. 1945-1950, gelatin silver print, Smithsonian American Art Museum, Gift of Lewis and Jean Greenblatt, 2002.86.7
Untitled
Dateca. 1945-1950
gelatin silver print
Not on view
Jared French, Margaret French, PaJaMa, Paul Cadmus, PaJaMa (Box A), ca. 1937, gelatin silver prints, Smithsonian American Art Museum, Bequest of Margaret French, 1999.98.5.16
PaJaMa (Box A)
Dateca. 1937
gelatin silver prints
Not on view