By the mid-1960s, Fasanella was disheartened by the arrogance and self-centeredness that, to him, defined the counterculture movement. Modern Times proposes a futuristic urban scene in which an impersonal and technological society has displaced one of humanity and unity.
Fasanella completed this work following Pope Paul VI’s 1965 visit to Yankee Stadium. In it he contrasts humanistic subjects such as the papal visit, images of workers, protesters, strikers, and returning soldiers with the detached, intellectual side of society—the worlds of science, technology, and fine arts. Fasanella felt the elitist art world had pigeonholed him as “primitive and stupid.” He ardently believed that art didn’t have to be aloof or conceptual; it was a tool to be wielded like a hammer.
- Not on view
- 49 3⁄4 x 104 in. (126.4 x 264.1 cm)
© 1966, Estate of Ralph Fasanella
- Credit Line
Smithsonian American Art Museum
Gift of Maurice and Margo Cohen, Birmingham, MI
- Mediums Description
- oil on canvas
- Cityscape – imaginary
- Figure group
- Object Number
- Linked Open Data
- Linked Open Data URI