Moses (after Michelangelo)

  • Michelangelo, Edmonia Lewis, Moses (after Michelangelo), 1875, marble, Smithsonian American Art Museum, Gift of Mr. and Mrs. Alfred T. Morris, Jr., 1984.149.1

Execution Date

“I thought I knew everything when I came to Rome, but I soon found I had everything to learn.” Edmonia Lewis, quoted in Romare Bearden, A History of African-American Artists, 1993

Luce Center Label

Edmonia Lewis developed her skills in Rome by copying classical sculptures. These copies would often be sold to American tourists, providing a much-needed source of income. The original sculpture of Moses by Michelangelo, completed around 1515, stands in the tomb of Pope Julius II in St. Peter’s Basilica in Rome. To a black female sculptor, the opportunity to emulate such an exalted artist’s work must have meant a great deal. The figure of Moses himself may also have been an inspiration. By rescuing the Israelites from Egypt, Moses exemplified the desire for freedom felt by many blacks during the nineteenth century.

Title
Moses (after Michelangelo)
Artists
Copy after Michelangelo
Date
1875
On View
Dimensions
26 3/4 x 11 1/2 x 13 5/8 in. (68.0 x 29.2 x 34.6 cm.)
Credit Line

Smithsonian American Art Museum

Gift of Mr. and Mrs. Alfred T. Morris, Jr.

Mediums
Mediums Description
marble
Classifications
Highlights
Keywords
  • Religion – Old Testament – Moses
Object Number
1984.149.1
Palette
Linked Open Data
Linked Open Data URI

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