Peh-tó-pe-kiss, Eagle’s Ribs, a Piegan Chief

George Catlin, Peh-tó-pe-kiss, Eagle's Ribs, a Piegan Chief, 1832, oil on canvas, Smithsonian American Art Museum, Gift of Mrs. Joseph Harrison, Jr., 1985.66.152
George Catlin, Peh-tó-pe-kiss, Eagle's Ribs, a Piegan Chief, 1832, oil on canvas, 2924 in. (73.760.9 cm), Smithsonian American Art Museum, Gift of Mrs. Joseph Harrison, Jr., 1985.66.152
Free to use

Artwork Details

Title
Peh-tó-pe-kiss, Eagle’s Ribs, a Piegan Chief
Date
1832
Location
Not on view
Dimensions
2924 in. (73.760.9 cm)
Credit Line
Gift of Mrs. Joseph Harrison, Jr.
Mediums
Mediums Description
oil on canvas
Classifications
Subjects
  • Portrait male — Buffalo’s Child — full length
  • Indian — Piegan
  • Portrait male — Eagle’s Ribs
  • Indian — Blackfoot
  • Dress — Indian dress
Object Number
1985.66.152

Artwork Description

“This man is one of the extraordinary men of the Blackfoot tribe; though not a chief, he stands here in the Fort, and deliberately boasts of eight scalps, which he says he has taken from the heads of trappers and traders with his own hand. His dress is really superb, almost literally covered with scalp-locks, of savage and civil. I have painted him at full length, with a head-dress made entirely of ermine skins and horns of the buffalo. This custom of wearing horns beautifully polished and surmounting the head-dress, is a very curious one, being worn only by the bravest of the brave; by the most extraordinary men in the nation . . . When he stood for his picture, he also held a lance and two ‘medicine-bags’ in his hand.” This portrait, painted at Fort Union, bears a certificate signed by the Indian agent John Sanford. George Catlin called upon fur traders, army officials, and government Indian agents to certify the accuracy of his pictures, an important testimonial for the artist who insisted that the value of his work lay in its authenticity. (Catlin, Letters and Notes, vol. 1, no. 5, 1841; reprint 1973)

Works by this artist (2 items)

Alyn Williams, Dr. William Henry Holmes, 1928, watercolor and pencil on paper, Smithsonian American Art Museum, Gift of the artist, 1931.2.11
Dr. William Henry Holmes
Date1928
watercolor and pencil on paper
Not on view
Alyn Williams, President William Howard Taft, 1910, watercolor on ivory, Smithsonian American Art Museum, Gift of the artist, 1937.12.1
President William Howard Taft
Date1910
watercolor on ivory
Not on view

More Artworks from the Collection

Elihu Vedder, (Illustration for Rubáiyát of Omar Khayyám) The Jarring Sects, 1883-1884, chalk, pencil, ink and watercolor on paper, Smithsonian American Art Museum, Museum purchase and gift from Elizabeth W. Henderson in memory of her husband Francis Tracy Henderson, 1978.108.32
(Illustration for Rubáiyát of Omar Khayyám) The Jarring…
Date1883-1884
chalk, pencil, ink and watercolor on paper
Not on view
Elihu Vedder, (Illustration for Rubáiyát of Omar Khayyám) The Heavenly Potter, 1883-1884, chalk, pencil, ink and watercolor on paper, Smithsonian American Art Museum, Museum purchase and gift from Elizabeth W. Henderson in memory of her husband Francis Tracy Henderson, 1978.108.23
(Illustration for Rubáiyát of Omar Khayyám) The Heavenly…
Date1883-1884
chalk, pencil, ink and watercolor on paper
Not on view
John James Audubon, Cardinal Grosbeak, 1811, chalk, pencil, watercolor and ink on paper, Smithsonian American Art Museum, Transfer from the U. S. National Museum, 1953.3.1
Cardinal Grosbeak
Date1811
chalk, pencil, watercolor and ink on paper
Not on view
John James Audubon, Towhee Bunting, 1812, chalk, pencil, watercolor and ink on paper, Smithsonian American Art Museum, Transfer from the U. S. National Museum, 1953.3.2
Towhee Bunting
Date1812
chalk, pencil, watercolor and ink on paper
Not on view