Perch Decoy

Abraham Goulette, Perch Decoy, ca. 1920s, carved and painted wood, painted tinned iron sheet, non-ferrous eye hook, painted ferrous tack eyes, and lead weight, Smithsonian American Art Museum, Gift of Alastair B. Martin, 1999.67.18
Copied Abraham Goulette, Perch Decoy, ca. 1920s, carved and painted wood, painted tinned iron sheet, non-ferrous eye hook, painted ferrous tack eyes, and lead weight, 3 1⁄8 x 8 5⁄8 x 3 1⁄4 in. (7.8 x 22.0 x 8.4 cm), Smithsonian American Art Museum, Gift of Alastair B. Martin, 1999.67.18

Artwork Details

Title
Perch Decoy
Artist
Date
ca. 1920s
Location
Dimensions
3 1⁄8 x 8 5⁄8 x 3 1⁄4 in. (7.8 x 22.0 x 8.4 cm)
Credit Line
Gift of Alastair B. Martin
Mediums
Mediums Description
carved and painted wood, painted tinned iron sheet, non-ferrous eye hook, painted ferrous tack eyes, and lead weight
Classifications
Subjects
  • Animal — fish
Object Number
1999.67.18
Linked Open Data
https://edan.si.edu/saam/id/object/1999.67.18

Artwork Description

Carved fish decoys are one of the earliest forms of American folk art. Hunters around the Bering Sea first used small bone or ivory decoys for ice fishing around 1000 AD. They believed that the decoys embodied the innua, or inner spirit of the fish. The practice spread to upstate New York and the Great Lakes, where it became a tourist industry with many communities growing around prime fishing areas. Ice fishing was banned in 1905, however, because the popularity of the sport had brought about a serious decline in large game fish. During the Depression, many hunters and fishermen turned again to fish spearing for survival. The decoys from this period are simpler, focusing on realistic shapes, colors, and movement rather than fanciful decoration (Steven Michaan, American Fish Decoys, 2003).