Playboy (On View), from the series House Beautiful: Bringing the War Home

Martha Rosler, Playboy (On View), from the series House Beautiful: Bringing the War Home, ca. 1967-1972, printed 2018, inkjet print, Smithsonian American Art Museum, Gift of Norbert Hornstein and Amy Weinberg and museum purchase through the Luisita L. and Franz H. Denghausen Endowment, 2021.7.12, Courtesy of the artist and Mitchell-Innes & Nash, New York © Martha Rosler
Martha Rosler, Playboy (On View), from the series House Beautiful: Bringing the War Home, ca. 1967-1972, printed 2018, inkjet print, overall: 24 × 20 in. (61 × 50.8 cm), Smithsonian American Art Museum, Gift of Norbert Hornstein and Amy Weinberg and museum purchase through the Luisita L. and Franz H. Denghausen Endowment, 2021.7.12, Courtesy of the artist and Mitchell-Innes & Nash, New York © Martha Rosler

Artwork Details

Title
Playboy (On View), from the series House Beautiful: Bringing the War Home
Date
ca. 1967-1972, printed 2018
Location
Not on view
Dimensions
overall: 24 × 20 in. (61 × 50.8 cm)
Copyright
Courtesy of the artist and Mitchell-Innes & Nash, New York © Martha Rosler
Credit Line
Gift of Norbert Hornstein and Amy Weinberg and museum purchase through the Luisita L. and Franz H. Denghausen Endowment
Mediums Description
inkjet print
Classifications
Subjects
  • Asian
  • Occupation — military — soldier
  • Figure female — nude
  • Figure group
Object Number
2021.7.12

Artwork Description

House Beautiful: Bringing the War Home addresses the subject of gender as it confronts the effects of war and militarism. Collaged from advertising and photojournalistic images cut from newspapers and magazines, the artworks in this series juxtapose the "feminine" realm of domestic life with the "manly" business of waging war.
 
When Martha Rosler created these works, the US war in Vietnam was rapidly escalating. She observed that news images of the war often reinforced the impression that it was taking place "very far away, in a place we couldn't imagine." She crafted her photomontages to collapse the distance between home front and war front, essentially "bringing the war home." In the artist's words, "We are not 'here' and 'there.' We are all one, and that is crucial."

Works by this artist (9 items)

Raymond White Skolfield, Night on Fourteenth St., 1936, lithograph on paper, Smithsonian American Art Museum, Transfer from the Evander Childs High School, Bronx, New York through the General Services Administration, 1975.83.87
Night on Fourteenth St.
Date1936
lithograph on paper
Not on view
Raymond White Skolfield, The Fog Lifts, 1938, lithograph on paper, Smithsonian American Art Museum, Transfer from the U.S. Department of Labor, 1964.1.206
The Fog Lifts
Date1938
lithograph on paper
Not on view
Raymond White Skolfield, Dyckman St. Ferry, n.d., lithograph, Smithsonian American Art Museum, Transfer from D.C. Public Library, 1967.72.239
Dyckman St. Ferry
Daten.d.
lithograph
Not on view
Raymond White Skolfield, Bound for the Tropics, 1936, lithograph, Smithsonian American Art Museum, Transfer from the U.S. Department of Labor, 1964.1.205
Bound for the Tropics
Date1936
lithograph
Not on view

More Artworks from the Collection

Claire Falkenstein, City is Man, 1941-1952, linocut, Smithsonian American Art Museum, Gift of The Falkenstein Foundation, 2019.27.14, ©1997, The Falkenstein Foundation
City is Man
Date1941-1952
linocut
Not on view
Claire Falkenstein, Untitled, 1976, embossed paper, Smithsonian American Art Museum, Gift of The Falkenstein Foundation, 2019.27.18, ©1997, The Falkenstein Foundation
Untitled
Date1976
embossed paper
Not on view
Claire Falkenstein, Mandala, 1977, lithograph, Smithsonian American Art Museum, Gift of The Falkenstein Foundation, 2019.27.19, ©1997, The Falkenstein Foundation
Mandala
Date1977
lithograph
Not on view
Les Quais de la Seine a Paris
Date1917
hand-colored etching on postcard
Not on view