Public Transit Areas, 4th St. and Bonito Ave., Looking North, from the Long Beach Documentary Survey Project

Anthony Hernandez, Public Transit Areas, 4th St. and Bonito Ave., Looking North, from the Long Beach Documentary Survey Project, 1980, gelatin silver print, Smithsonian American Art Museum, Transfer from the National Endowment for the Arts, 1983.63.679, © 1980, Anthony Hernandez
Anthony Hernandez, Public Transit Areas, 4th St. and Bonito Ave., Looking North, from the Long Beach Documentary Survey Project, 1980, gelatin silver print, image: 12 1⁄2 x 18 1⁄4 in. (31.7 x 46.4 cm) sheet: 16 x 20 in. (40.6 x 50.8 cm), Smithsonian American Art Museum, Transfer from the National Endowment for the Arts, 1983.63.679, © 1980, Anthony Hernandez

Artwork Details

Title
Public Transit Areas, 4th St. and Bonito Ave., Looking North, from the Long Beach Documentary Survey Project
Artist
Date
1980
Location
Not on view
Dimensions
image: 12 1⁄2 x 18 1⁄4 in. (31.7 x 46.4 cm) sheet: 16 x 20 in. (40.6 x 50.8 cm)
Copyright
© 1980, Anthony Hernandez
Credit Line
Transfer from the National Endowment for the Arts
Mediums Description
gelatin silver print
Classifications
Subjects
  • Figure group
  • State of being — other — waiting
  • Cityscape — California — Long Beach
  • Cityscape — street — 4th Street
  • Object — other — sign
  • Architecture Exterior — commercial — store
  • Cityscape — street — Bonito Avenue
Object Number
1983.63.679
Linked Open Data
https://edan.si.edu/saam/id/object/1983.63.679

Works by this artist (8 items)

View all artworks
Blanche Grambs, Design Steel, n.d., etching and aquatint, Smithsonian American Art Museum, Transfer from D.C. Public Library, 1967.72.101
Design Steel
Artist
Daten.d.
etching and aquatint
Not on view
Blanche Grambs, Workers Homes, ca. 1935-1940, etching and aquatint, Smithsonian American Art Museum, Museum purchase, 1973.19.3
Workers Homes
Artist
Dateca. 1935-1940
etching and aquatint
Not on view
Blanche Grambs, Mood, n.d., aquatint and etching, Smithsonian American Art Museum, Transfer from D.C. Public Library, 1967.72.106
Mood
Artist
Daten.d.
aquatint and etching
Not on view
Blanche Grambs, Mining Town, n.d., etching and aquatint, Smithsonian American Art Museum, Transfer from D.C. Public Library, 1967.72.105
Mining Town
Artist
Daten.d.
etching and aquatint
Not on view

Exhibitions

Photograph of children playing in the water from a fire hydrant by Hiram Maristany
Down These Mean Streets: Community and Place in Urban Photography
May 11, 2017–August 5, 2017
Smithsonian American Art Museum
America’s urban streets have long inspired documentary photographers. After World War II, populations shifted from the city to the suburbs and newly built highways cut through thriving neighborhoods, leaving isolated pockets within major urban centers.

More Artworks from the Collection

Browse All Artworks
Claire Falkenstein, City is Man, 1941-1952, linocut, Smithsonian American Art Museum, Gift of The Falkenstein Foundation, 2019.27.14, ©1997, The Falkenstein Foundation
City is Man
Artist
Date1941-1952
linocut
Not on view
Claire Falkenstein, Untitled, 1976, embossed paper, Smithsonian American Art Museum, Gift of The Falkenstein Foundation, 2019.27.18, ©1997, The Falkenstein Foundation
Untitled
Artist
Date1976
embossed paper
Not on view
Claire Falkenstein, Mandala, 1977, lithograph, Smithsonian American Art Museum, Gift of The Falkenstein Foundation, 2019.27.19, ©1997, The Falkenstein Foundation
Mandala
Artist
Date1977
lithograph
Not on view
Image Not Available
Les Quais de la Seine a Paris
Artist
Date1917
hand-colored etching on postcard
Not on view