Public Transit Areas, Magnolia Ave. and Anaheim St., Looking North, from the Long Beach Documentary Survey Project

Anthony Hernandez, Public Transit Areas, Magnolia Ave. and Anaheim St., Looking North, from the Long Beach Documentary Survey Project, 1980, gelatin silver print, Smithsonian American Art Museum, Transfer from the National Endowment for the Arts, 1983.63.681, © 1980, Anthony Hernandez
Anthony Hernandez, Public Transit Areas, Magnolia Ave. and Anaheim St., Looking North, from the Long Beach Documentary Survey Project, 1980, gelatin silver print, image: 12 1⁄2 in. x 18 in. (31.7 x 45.7 cm) sheet: 16 x 20 in. (40.6 x 50.8 cm), Smithsonian American Art Museum, Transfer from the National Endowment for the Arts, 1983.63.681, © 1980, Anthony Hernandez

Artwork Details

Title
Public Transit Areas, Magnolia Ave. and Anaheim St., Looking North, from the Long Beach Documentary Survey Project
Artist
Date
1980
Location
Not on view
Dimensions
image: 12 1⁄2 in. x 18 in. (31.7 x 45.7 cm) sheet: 16 x 20 in. (40.6 x 50.8 cm)
Copyright
© 1980, Anthony Hernandez
Credit Line
Transfer from the National Endowment for the Arts
Mediums Description
gelatin silver print
Classifications
Subjects
  • Figure male — full length
  • State of being — other — waiting
  • Cityscape — California — Long Beach
  • Architecture Exterior — other — parking lot
  • Cityscape — street — Anaheim Street
  • Cityscape — street — Magnolia Avenue
Object Number
1983.63.681
Linked Open Data
https://edan.si.edu/saam/id/object/1983.63.681

Works by this artist (5 items)

View all artworks
Walter Tittle, Portrait of James McBey, 1931, drypoint, Smithsonian American Art Museum, Gift of Chicago Society of Etchers, 1935.13.349
Portrait of James McBey
Artist
Date1931
drypoint
Not on view
Walter Tittle, Lady Washington's Levee (cancelled plate from the portfolio "The Bicentennial Pageant of George Washington"), ca. 1932, etching from cancelled plate on paper, Smithsonian American Art Museum, Gift of Herbert Brook, 1983.75.36
Lady Washington’s Levee (cancelled plate from the portfolio…
Artist
Dateca. 1932
etching from cancelled plate on paper
Not on view
Walter Tittle, Lady Washington's Levee (from the portfolio "The Bicentennial Pageant of George Washington"), 1932, etching on paper, Smithsonian American Art Museum, Gift of Herbert Brook, 1983.75.17
Lady Washington’s Levee (from the portfolio ​“The…
Artist
Date1932
etching on paper
Not on view
Walter Tittle, Joseph Conrad, n.d., drypoint, Smithsonian American Art Museum, Gift of Chicago Society of Etchers, 1935.13.350
Joseph Conrad
Artist
Daten.d.
drypoint
Not on view

Exhibitions

Photograph of children playing in the water from a fire hydrant by Hiram Maristany
Down These Mean Streets: Community and Place in Urban Photography
May 11, 2017–August 5, 2017
Smithsonian American Art Museum
America’s urban streets have long inspired documentary photographers. After World War II, populations shifted from the city to the suburbs and newly built highways cut through thriving neighborhoods, leaving isolated pockets within major urban centers.

More Artworks from the Collection

Browse All Artworks
Linda Lopez, Blue/Purple Ombre with Rocks, 2018, porcelain, Smithsonian American Art Museum, Museum purchase through the Howard Kottler Endowment for Ceramic Art, 2020.64, © 2020, Linda Lopez
Blue/​Purple Ombre with Rocks
Artist
Date2018
porcelain
Not on view
Brother Thomas Bezanson, Large Vase, 2000, porcelain, Smithsonian American Art Museum, Gift of Ann L. Bronfman, 2000.61, © 2000, Pucker Gallery, Inc.
Large Vase
Artist
Date2000
porcelain
On view
Dan Schmitt, Bowl, 2000, porcelain, Smithsonian American Art Museum, Gift of Jan Schachter in honor of Ted Cohen, 2000.91.6
Bowl
Artist
Date2000
porcelain
On view
Dan Schmitt, Medium Plate, 2000, porcelain, Smithsonian American Art Museum, Gift of Jan Schachter in honor of Ted Cohen, 2000.91.5
Medium Plate
Artist
Date2000
porcelain
On view