Public Transit Areas, Ocean and Pacific Ave., Looking East, from the Long Beach Documentary Survey Project

Anthony Hernandez, Public Transit Areas, Ocean and Pacific Ave., Looking East, from the Long Beach Documentary Survey Project, 1980, gelatin silver print, Smithsonian American Art Museum, Transfer from the National Endowment for the Arts, 1983.63.676, © 1980, Anthony Hernandez
Anthony Hernandez, Public Transit Areas, Ocean and Pacific Ave., Looking East, from the Long Beach Documentary Survey Project, 1980, gelatin silver print, image: 12 1218 18 in. (31.846.0 cm) sheet: 1620 in. (40.650.8 cm), Smithsonian American Art Museum, Transfer from the National Endowment for the Arts, 1983.63.676, © 1980, Anthony Hernandez

Artwork Details

Title
Public Transit Areas, Ocean and Pacific Ave., Looking East, from the Long Beach Documentary Survey Project
Date
1980
Location
Not on view
Dimensions
image: 12 1218 18 in. (31.846.0 cm) sheet: 1620 in. (40.650.8 cm)
Copyright
© 1980, Anthony Hernandez
Credit Line
Transfer from the National Endowment for the Arts
Mediums Description
gelatin silver print
Classifications
Subjects
  • Cityscape — street — Pacific Avenue
  • Cityscape — street — Ocean Avenue
  • Object — furniture — bench
  • Cityscape — California — Long Beach
  • State of being — other — waiting
  • Figure male — full length
Object Number
1983.63.676

Works by this artist (2 items)

Larkin Goldsmith Mead, Echo, modeled ca. 1862-1863, marble, Smithsonian American Art Museum, Gift of University of Pennsylvania School of Dental Medicine, Thomas W. Evans Collection, 1983.101.1
Echo
Datemodeled ca. 1862-1863
marble
Not on view
Larkin Goldsmith Mead, Semi-Nude Youth (Mountain Boy?), ca. 1864, marble, Smithsonian American Art Museum, Gift of University of Pennsylvania School of Dental Medicine, Thomas W. Evans Collection, 1983.101.2
Semi-Nude Youth (Mountain Boy?)
Dateca. 1864
marble
Not on view

Exhibitions

Photograph of children playing in the water from a fire hydrant by Hiram Maristany
Down These Mean Streets: Community and Place in Urban Photography
May 11, 2017August 5, 2017
America’s urban streets have long inspired documentary photographers. After World War II, populations shifted from the city to the suburbs and newly built highways cut through thriving neighborhoods, leaving isolated pockets within major urban centers.

More Artworks from the Collection

Moses Wainer Dykaar, Dr. Charles Doolittle Walcott, before 1925, marble, Smithsonian American Art Museum, Gift of Mrs. Charles Doolittle Walcott, 1927.11.1
Dr. Charles Doolittle Walcott
Datebefore 1925
marble
Not on view
Ottaviano Giovannozzi, Lord Byron, 1823, marble, Smithsonian American Art Museum, Bequest of Alfred Duane Pell, 1963.15
Lord Byron
Date1823
marble
Not on view