In Radiante, Olda Albizu rhythmically applied large blocks of yellow, orange, and black paint against a vibrant background to orchestrate what she called ​“a conversation between color and form.” The result is a joyous work that bathes the viewer in light. Like most of Albizu’s canvases, Radiante conjures a mood — or a temperature — rather than a specific time or place. Albizu was associated with vanguard currents in Puerto Rican art that favored abstraction over figuration and nationalist-inflected themes. After graduating from university, she studied painting in New York, Paris, and Florence before returning to and settling in New York for good in 1946. There, her work became increasingly aligned with abstract expressionism at a time when this movement was defining New York as a new global art center.