Olga Albizu, Radiante, 1967, oil on canvas, Smithsonian American Art Museum, Gift of JPMorgan Chase, 2013.17
In Radiante, Albizu rhythmically applied large blocks of pigment against a yellow background to orchestrate what she called “a conversation between color and form.” Her vivid palette conveys that, like other abstract expressionists, she believed in the emotive power of color. Albizu’s works are recognized worldwide because her canvases graced the covers of several RCA and Verve jazz albums, including the bossa nova classic Getz/Gilberto (1964). One of the first Puerto Rican artists to embrace abstraction, Albizu studied with painter Esteban Vicente before moving to New York City. There she became a student of Hans Hofmann, the German émigré artist who had a decisive impact on midcentury American art.
Our America: The Latino Presence in American Art, 2013
The Latino Art Collection at the Smithsonian American Art Museum represents a deep and continuing commitment to building a great national collection reflecting the rich contributions of Latinos to the United States, from the colonial period to the present. These artworks present a picture of an evolving national culture that challenges expectations of what is meant by the words American and Latino.
Smithsonian American Art Museum: Commemorative Guide. Nashville, TN: Beckon Books, 2015.
- On View
68 x 62 in. (172.7 x 157.5 cm)
- Credit Line
Smithsonian American Art Museum
Gift of JPMorgan Chase
- Mediums Description
- oil on canvas
- Object Number
- Linked Open Data
- Linked Open Data URI