Rose Comi with nieces and nephew, Renée, Trish, and Bernie, at a family New Year’s party in Highlandtown

Joan Clark Netherwood, Rose Comi with nieces and nephew, Renée, Trish, and Bernie, at a family New Year's party in Highlandtown, 1978, gelatin silver print, Smithsonian American Art Museum, Gift of the East Baltimore Documentary Photography Project, 2020.68.20
Joan Clark Netherwood, Rose Comi with nieces and nephew, Renée, Trish, and Bernie, at a family New Year's party in Highlandtown, 1978, gelatin silver print, sheet: 14 × 11 in. (35.6 × 27.9 cm) image: 9 18 in. × 9 in. (23.2 × 22.9 cm), Smithsonian American Art Museum, Gift of the East Baltimore Documentary Photography Project, 2020.68.20

Artwork Details

Title
Rose Comi with nieces and nephew, Renée, Trish, and Bernie, at a family New Year’s party in Highlandtown
Date
1978
Location
Not on view
Dimensions
sheet: 14 × 11 in. (35.6 × 27.9 cm) image: 9 18 in. × 9 in. (23.2 × 22.9 cm)
Credit Line
Gift of the East Baltimore Documentary Photography Project
Mediums Description
gelatin silver print
Classifications
Subjects
  • Ceremony — holiday — New Years
  • Portrait group — family
  • Object — art object — painting
  • Architecture Interior
  • Architecture Interior — domestic — house
Object Number
2020.68.20

Works by this artist (43 items)

Ansel Adams, The Hands of Annette Rosenshine, San Francisco, ca. 1932, gelatin silver print, Smithsonian American Art Museum, Gift of Jessie M. Harris and Jane and Arthur Mason, 1996.97
The Hands of Annette Rosenshine, San Francisco
Dateca. 1932
gelatin silver print
Not on view
Mount Brewer, Southern Sierra
Dateca. 1925, printed 1927
gelatin silver print
Not on view
Mount Clarence King, Southern Sierra
Date1924, printed 1927
gelatin silver print
Not on view

Exhibitions

Media - 1983.63.998 - SAAM-1983.63.998_1 - 55235
Welcome Home: A Portrait of East Baltimore, 1975 – 1980
July 16, 2021January 23, 2022
Welcome Home: A Portrait of East Baltimore, 1975-1980 captures a cross-section of East Baltimore residents and businesses in the 1970s, documenting the community’s history and diversity.

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Eugene Von Bruenchenhein, Untitled, ca. 1945-1950, gelatin silver print, Smithsonian American Art Museum, Gift of Lewis and Jean Greenblatt, 2002.86.7
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