Rubens Peale

Anna Claypoole Peale, Rubens Peale, 1822, watercolor on ivory, Smithsonian American Art Museum, Bequest of Mary Elizabeth Spencer, 1999.27.28
Anna Claypoole Peale, Rubens Peale, 1822, watercolor on ivory, sight 2 7⁄8 x 2 1⁄4 in. (7.2 x 5.6 cm), Smithsonian American Art Museum, Bequest of Mary Elizabeth Spencer, 1999.27.28
Free to use

Artwork Details

Title
Rubens Peale
Artist
Date
1822
Location
Not on view
Dimensions
sight 2 7⁄8 x 2 1⁄4 in. (7.2 x 5.6 cm)
Credit Line
Bequest of Mary Elizabeth Spencer
Mediums
Mediums Description
watercolor on ivory
Classifications
Subjects
  • Portrait male — Peale, Rubens — bust
Object Number
1999.27.28
Linked Open Data
https://edan.si.edu/saam/id/object/1999.27.28

Artwork Description

Rubens Peale (1784-1865) was the artist’s cousin and the son of Charles Willson Peale. He abandoned a painting career due to weak eyesight and his glasses are a hallmark of the portraits painted of him. Rubens pursued a career in museum management, running the Philadelphia Museum (founded by his father) from 1810 to 1822, a family museum in Baltimore from 1822 to 1825, and the Peale Museum in New York City from 1825 to 1837. The financial panic of 1837 destroyed his livelihood, and he retired to his father-in-law’s estate and lived out his life as a country gentleman.

Works by this artist (4 items)

Weegee, Rehearsal, Yiddish Theatre, 1943, gelatin silver print, Smithsonian American Art Museum, Gift of Virginia Zabriskie, 1983.110.9, © 1942, Wilma Wilcox, Curator Weegee Collection
Rehearsal, Yiddish Theatre
Artist
Date1943
gelatin silver print
Not on view
Weegee, An incident in the snowstorm. Rag peddler Sam Karshnowitz leads a horse along the street in a bitter snowstorm. The horse has been rented for the day to pull his wagon., 1944, gelatin silver print, Smithsonian American Art Museum, Museum purchase through the Luisita L. and Franz H. Denghausen Endowment, 2016.40.13, © Weegee / International Center for Photography
An incident in the snowstorm. Rag peddler Sam Karshnowitz…
Artist
Date1944
gelatin silver print
Not on view
Weegee, Celebration at End of War, ca. 1945, gelatin silver print, Smithsonian American Art Museum, Museum purchase, 1974.32.4
Celebration at End of War
Artist
Dateca. 1945
gelatin silver print
Not on view
Weegee, Audience watching "House on Haunted Hill", 1959, gelatin silver print, Smithsonian American Art Museum, Museum purchase, 1988.45, © 1950, Wilma Wilcox, Curator Weegee Collection
Audience watching ​“House on Haunted Hill”
Artist
Date1959
gelatin silver print
Not on view

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Bently
Artist
Dateca. 1975
gelatin silver print
Not on view
Eugene Von Bruenchenhein, Untitled, ca. 1945-1950, gelatin silver print, Smithsonian American Art Museum, Gift of Lewis and Jean Greenblatt, 2002.86.9
Untitled
Artist
Dateca. 1945-1950
gelatin silver print
Not on view
Eugene Von Bruenchenhein, Untitled, ca. 1945-1950, gelatin silver print, Smithsonian American Art Museum, Gift of Lewis and Jean Greenblatt, 2002.86.7
Untitled
Artist
Dateca. 1945-1950
gelatin silver print
Not on view
Jared French, Margaret French, PaJaMa, Paul Cadmus, PaJaMa (Box A), ca. 1937, gelatin silver prints, Smithsonian American Art Museum, Bequest of Margaret French, 1999.98.5.16
PaJaMa (Box A)
Artist
Dateca. 1937
gelatin silver prints
Not on view