Sonic Structure II

Christy Matson, Sonic Structure II, 2010, single-channel interactive sound, cotton, copper, and amplifiers, 24112 in. (61.0284.5 cm), Smithsonian American Art Museum, Gift of an anonymous donor in honor of Dylan and Taylor Ann O’Connor, 2012.66A-E

Artwork Details

Title
Sonic Structure II
Date
2010
Location
Not on view
Dimensions
24112 in. (61.0284.5 cm)
Credit Line
Gift of an anonymous donor in honor of Dylan and Taylor Ann O’Connor
Mediums Description
single-channel interactive sound, cotton, copper, and amplifiers
Classifications
Object Number
2012.66A-E

Works by this artist (6 items)

Donald Sultan, Black Roses, Nov., 1989, from the suite Black Roses, Dec., 1989, 1989, published 1990, aquatint on paper, Smithsonian American Art Museum, Museum purchase, 1992.25.1, © 1989, Donald Sultan
Black Roses, Nov., 1989, from the suite Black Roses, Dec.,…
Date1989, published 1990
aquatint on paper
Not on view
Donald Sultan, Four Reds Sept 30 2002, 2002, 14-color screenprint on paper, Smithsonian American Art Museum, Gift of the Smithsonian Resident Associate Program, 2003.7, © Donald Sultan
Four Reds Sept 30 2002
Date2002
14-color screenprint on paper
Not on view
Donald Sultan, Two Buttons, 1996, three color lithograph, Smithsonian American Art Museum, Gift from the Trustees of the Corcoran Gallery of Art (Gift of Bud and Fran Moreland Johns), 2020.20.268
Two Buttons
Date1996
three color lithograph
Not on view
Donald Sultan, Martini, 1996, lithograph, Smithsonian American Art Museum, Gift from the Trustees of the Corcoran Gallery of Art (Gift of Bud and Fran Moreland Johns), 2020.20.267
Martini
Date1996
lithograph
Not on view

Related Books

4040_500.jpg
40 Under 40: Craft Futures
40 Under 40: Craft Futures examines the expanding role of the handmade in contemporary culture through the work of the next generation of artists. Organized in celebration of the fortieth anniversary of the Renwick Gallery, the Smithsonian's branch museum for American craft and decorative arts, this project gathers forty makers born since 1972, the year the Renwick opened to the public. Apparent are rapidly evolving notions of craft, ranging from traditional media, such as ceramics and jewelry, to fields as varied as sculpture, industrial design, performance and installation art, fashion design, sustainable manufacturing, and mathematics.

More Artworks from the Collection

Claire Falkenstein, City is Man, 1941-1952, linocut, Smithsonian American Art Museum, Gift of The Falkenstein Foundation, 2019.27.14, ©1997, The Falkenstein Foundation
City is Man
Date1941-1952
linocut
Not on view
Claire Falkenstein, Untitled, 1976, embossed paper, Smithsonian American Art Museum, Gift of The Falkenstein Foundation, 2019.27.18, ©1997, The Falkenstein Foundation
Untitled
Date1976
embossed paper
Not on view
Claire Falkenstein, Mandala, 1977, lithograph, Smithsonian American Art Museum, Gift of The Falkenstein Foundation, 2019.27.19, ©1997, The Falkenstein Foundation
Mandala
Date1977
lithograph
Not on view
Les Quais de la Seine a Paris
Date1917
hand-colored etching on postcard
Not on view