After Henry Ossawa Tanner moved to France in 1891, he spent a few summers in Pont-Aven and Concarneau, where wooden shoes called sabots were common. This study shows a young student learning the trade from his teacher, a frequent theme in Tanner’s early work. In the final painting the young sabot-maker is not French but African American, reflecting Tanner’s own racial heritage. The Young Sabot Maker was his second painting to be accepted by the annual Paris exhibition, a coveted sign of official recognition from the French art establishment.