Untitled #18 (Creek and House) from series Night Coming Tenderly, Black

Dawoud Bey, Untitled #18 (Creek and House) from series Night Coming Tenderly, Black, 2017, printed 2018, gelatin silver print, Smithsonian American Art Museum, Gift of Ellen Benninghoven and Michael Schafer, 2019.29.3, © 2019, Dawoud Bey
Dawoud Bey, Untitled #18 (Creek and House) from series Night Coming Tenderly, Black, 2017, printed 2018, gelatin silver print, overall: 48 × 59 in. (121.9 × 149.9 cm), Smithsonian American Art Museum, Gift of Ellen Benninghoven and Michael Schafer, 2019.29.3, © 2019, Dawoud Bey

Artwork Details

Title
Untitled #18 (Creek and House) from series Night Coming Tenderly, Black
Artist
Date
2017, printed 2018
Location
Not on view
Dimensions
overall: 48 × 59 in. (121.9 × 149.9 cm)
Copyright
© 2019, Dawoud Bey
Credit Line
Gift of Ellen Benninghoven and Michael Schafer
Mediums Description
gelatin silver print
Classifications
Subjects
  • Landscape — time — night
  • Landscape — river
  • Architecture Exterior — domestic — house
Object Number
2019.29.3
Linked Open Data
https://edan.si.edu/saam/id/object/2019.29.3

Works by this artist (4 items)

Xavier Viramontes, Boycott Grapes, Support the United Farm Workers Union, 1973, offset lithograph on paper, Smithsonian American Art Museum, Gift of Tomás Ybarra-Frausto, 1995.50.58, © 1973, Xavier Viramontes
Boycott Grapes, Support the United Farm Workers Union
Artist
Date1973
offset lithograph on paper
Not on view
Xavier Viramontes, Chicano Bad (July), from Galería de la Raza's 1975 Calendario, 1975, screenprint on paper, Smithsonian American Art Museum, Gift of the Margaret Terrazas Santos Collection, 2019.52.17
Chicano Bad (July), from Galería de la Raza’s 1975…
Artist
Date1975
screenprint on paper
Not on view
Xavier Viramontes, Zoot Suit (October), from La Historia De California Calendar 1977, 1977, screenprint on paper, Smithsonian American Art Museum, Gift of the Margaret Terrazas Santos Collection, 2019.52.33
Zoot Suit (October), from La Historia De California…
Artist
Date1977
screenprint on paper
Not on view
Xavier Viramontes, La Victoria (June), from Calendario de Comida 1976, 1976, screenprint on paper, Smithsonian American Art Museum, Gift of the Margaret Terrazas Santos Collection, 2019.52.42
La Victoria (June), from Calendario de Comida 1976
Artist
Date1976
screenprint on paper
Not on view

Exhibitions

Media - 2019.29.1 - SAAM-2019.29.1_1 - 138052
Dawoud Bey and William H. Johnson
May 12, 2021–August 5, 2021
Smithsonian American Art Museum
This focused installation features recently acquired photographs by Dawoud Bey in conversation with a painting by William H. Johnson that refer to the Underground Railroad.

More Artworks from the Collection

Browse All Artworks
Marcus Root, Caroline Lamb Norris, ca 1855, daguerreotype with tinting, Smithsonian American Art Museum, Gift of Charles Isaacs and Carol Nigro, 1999.86.2
Caroline Lamb Norris
Artist
Attributed to Marcus Root
Dateca 1855
daguerreotype with tinting
Not on view
Unidentified, The Reluctant Model (Young Child Being Held), ca 1850s, daguerreotype, Smithsonian American Art Museum, Gift of Charles Isaacs and Carol Nigro, 1999.86.1
The Reluctant Model (Young Child Being Held)
Artist
Unidentified
Dateca 1850s
daguerreotype
Not on view
Unidentified, Untitled (Young Boy), late 1840s, daguerreotype, Smithsonian American Art Museum, Gift of Charles Isaacs and Carol Nigro, 2000.83.17
Untitled (Young Boy)
Artist
Unidentified
Datelate 1840s
daguerreotype
Not on view
Unidentified, Garrison Tales from Tonquin by James O'Neill, 19th century, color process print, Smithsonian American Art Museum, 1982.19.3
Garrison Tales from Tonquin by James O’Neill
Artist
Unidentified
Date19th century
color process print
Not on view