Untitled #9 (The Field) from the series Night Coming Tenderly, Black

Dawoud Bey, Untitled #9 (The Field) from the series Night Coming Tenderly, Black, 2017, printed 2018, gelatin silver print, Smithsonian American Art Museum, Gift of Ellen Benninghoven and Michael Schafer, 2019.29.2, © 2019, Dawoud Bey
Dawoud Bey, Untitled #9 (The Field) from the series Night Coming Tenderly, Black, 2017, printed 2018, gelatin silver print, overall: 48 × 59 in. (121.9 × 149.9 cm), Smithsonian American Art Museum, Gift of Ellen Benninghoven and Michael Schafer, 2019.29.2, © 2019, Dawoud Bey

Artwork Details

Title
Untitled #9 (The Field) from the series Night Coming Tenderly, Black
Artist
Date
2017, printed 2018
Location
Not on view
Dimensions
overall: 48 × 59 in. (121.9 × 149.9 cm)
Copyright
© 2019, Dawoud Bey
Credit Line
Gift of Ellen Benninghoven and Michael Schafer
Mediums Description
gelatin silver print
Classifications
Subjects
  • Landscape — time — night
  • Landscape — farm
Object Number
2019.29.2
Linked Open Data
https://edan.si.edu/saam/id/object/2019.29.2

Works by this artist (9 items)

View all artworks
Dawoud Bey, Untitled #1 (Picket Fence and Farmhouse) from the series Night Coming Tenderly, Black, 2017, printed 2018, gelatin silver print, Smithsonian American Art Museum, Gift of Ellen Benninghoven and Michael Schafer, 2019.29.1, © 2019, Dawoud Bey
Untitled #1 (Picket Fence and Farmhouse) from the series…
Artist
Date2017, printed 2018
gelatin silver print
Not on view
Dawoud Bey, A Young Woman Between Carrolburg Place and Half Street, Washington, D.C., 1989, printed 2018, inkjet photograph, Smithsonian American Art Museum, Museum purchase through the Luisita L. and Franz H. Denghausen Endowment, 2019.30.3, © 2019, Dawoud Bey
A Young Woman Between Carrolburg Place and Half Street,…
Artist
Date1989, printed 2018
inkjet photograph
Not on view
Dawoud Bey, Untitled #13 (Trees and Reflections), from the series Night Coming Tenderly, Black, 2017, gelatin silver print, Smithsonian American Art Museum, Gift of Ellen Benninghoven and Michael Schafer, 2019.29.5, © 2019, Dawoud Bey
Untitled #13 (Trees and Reflections), from the series Night…
Artist
Date2017
gelatin silver print
Not on view
Dawoud Bey, Untitled #9 (The Field) from the series Night Coming Tenderly, Black, 2017, printed 2018, gelatin silver print, Smithsonian American Art Museum, Gift of Ellen Benninghoven and Michael Schafer, 2019.29.2, © 2019, Dawoud Bey
Untitled #9 (The Field) from the series Night Coming…
Artist
Date2017, printed 2018
gelatin silver print
Not on view

Exhibitions

Media - 2019.29.1 - SAAM-2019.29.1_1 - 138052
Dawoud Bey and William H. Johnson
May 12, 2021–August 5, 2021
Smithsonian American Art Museum
This focused installation features recently acquired photographs by Dawoud Bey in conversation with a painting by William H. Johnson that refer to the Underground Railroad.

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Salvatore Mancini, Narragansett Electric, 2000, gelatin silver print, Smithsonian American Art Museum, Gift of Joseph A. Chazan, M.D., 2002.80.8
Narragansett Electric
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Date2000
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Salvatore Mancini, Remains of Lock, Millville, 2000, gelatin silver print, Smithsonian American Art Museum, Gift of Joseph A. Chazan, M.D., 2002.80.6
Remains of Lock, Millville
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Date2000
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Date2000
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Keith Sharp, Times, from the series Same While Different, 2000, diptych with toned gelatin silver prints, Smithsonian American Art Museum, Gift of the artist, 2002.77.3A-B, © 2000 Keith Sharp
Times, from the series Same While Different
Artist
Date2000
diptych with toned gelatin silver prints
Not on view