Untitled (Caparena figure)

Clarence Woolsey, Grace Woolsey, Untitled (Caparena figure), ca. 1961 - 1972, bottle caps, wood, and wire, 34 × 19 × 12 12 in. (86.4 × 48.3 × 31.8 cm), Smithsonian American Art Museum, Gift of Orren and Marilyn Bradley and Kohler Foundation, Inc., 2015.58.27

Artwork Details

Title
Untitled (Caparena figure)
Date
ca. 1961 - 1972
Dimensions
34 × 19 × 12 12 in. (86.4 × 48.3 × 31.8 cm)
Credit Line
Gift of Orren and Marilyn Bradley and Kohler Foundation, Inc.
Mediums Description
bottle caps, wood, and wire
Classifications
Subjects
  • Animal — bear
Object Number
2015.58.27

Artwork Description

Clarence and Grace Woolsey started their yard environment of bottlecap sculptures in the winter of 1961. Over the next decade, they made figures that looked like bears, rabbits, characters from nursery rhymes and children's tales, curious aliens, and structures and objects like churches, windmills, and bicycles. In the mid-1970s, they began charging curiosity-seekers to view "the World's Largest Pioneer Caparena." The site was dismantled in 1972.

Works by this artist (244 items)

Winslow Homer, High Cliff, Coast of Maine, 1894, oil on canvas, Smithsonian American Art Museum, Gift of William T. Evans, 1909.7.29
High Cliff, Coast of Maine
Date1894
oil on canvas
On view
Winslow Homer, A Visit from the Old Mistress, 1876, oil on canvas, Smithsonian American Art Museum, Gift of William T. Evans, 1909.7.28
A Visit from the Old Mistress
Date1876
oil on canvas
On view
Winslow Homer, Homeward Bound, from Harper's Weekly, December 21, 1867, 1867, wood engraving on paper, Smithsonian American Art Museum, The Ray Austrian Collection, gift of Beatrice L. Austrian, Caryl A. Austrian and James A. Austrian, 1996.63.125
Homeward Bound, from Harper’s Weekly, December 211867
Date1867
wood engraving on paper
Not on view

Exhibitions

Media - 1970.353.1-.116 - SAAM-1970.353.1-.116_9 - 127238
Galleries for Folk and Self-Taught Art
October 21, 2016January 31, 2030
SAAM’s collection of folk and self-taught art represents the powerful vision of America’s untrained and vernacular artists.

More Artworks from the Collection

Claire Falkenstein, City is Man, 1941-1952, linocut, Smithsonian American Art Museum, Gift of The Falkenstein Foundation, 2019.27.14, ©1997, The Falkenstein Foundation
City is Man
Date1941-1952
linocut
Not on view
Claire Falkenstein, Untitled, 1976, embossed paper, Smithsonian American Art Museum, Gift of The Falkenstein Foundation, 2019.27.18, ©1997, The Falkenstein Foundation
Untitled
Date1976
embossed paper
Not on view
Claire Falkenstein, Mandala, 1977, lithograph, Smithsonian American Art Museum, Gift of The Falkenstein Foundation, 2019.27.19, ©1997, The Falkenstein Foundation
Mandala
Date1977
lithograph
Not on view
Les Quais de la Seine a Paris
Date1917
hand-colored etching on postcard
Not on view