When men can freely communicate their thoughts and their sufferings, real or imaginary, their passions spend themselves in air, like gunpowder scattered upon the surface; but pent up by terrors, they work unseen, burst forth in a moment, and destroy 

Paul Rand, "When men can freely communicate their thoughts and their sufferings, real or imaginary, their passions spend themselves in air, like gunpowder scattered upon the surface; but pent up by terrors, they work unseen, burst forth in a moment, and destroy everything in their course."--Thomas Erskine, on the Advantages of Free Speech, Rex v. Paine, 1792. From the series Great Ideas of Western Man., 1954, crayon, nail, and photomechanical reproduction on wood, Smithsonian American Art Museum, Gift of Container Corporation of America, 1984.124.242
Paul Rand, "When men can freely communicate their thoughts and their sufferings, real or imaginary, their passions spend themselves in air, like gunpowder scattered upon the surface; but pent up by terrors, they work unseen, burst forth in a moment, and destroy , 1954, crayon, nail, and photomechanical reproduction on wood, 9 3471 14 in. (24.717.63.0 cm.), Smithsonian American Art Museum, Gift of Container Corporation of America, 1984.124.242

Artwork Details

Title
When men can freely communicate their thoughts and their sufferings, real or imaginary, their passions spend themselves in air, like gunpowder scattered upon the surface; but pent up by terrors, they work unseen, burst forth in a moment, and destroy everything in their course.” – Thomas Erskine, on the Advantages of Free Speech, Rex v. Paine, 1792. From the series Great Ideas of Western Man.
Artist
Date
1954
Dimensions
9 3471 14 in. (24.717.63.0 cm.)
Credit Line
Gift of Container Corporation of America
Mediums Description
crayon, nail, and photomechanical reproduction on wood
Classifications
Subjects
  • Literature — Erskine, Thomas — On the Advantages of Free Speech
  • Figure — fragment — eye
Object Number
1984.124.242

Artwork Description

Paul Rand created this collage to illustrate a quote by Thomas Erskine for the Container Corporation of America. The inspiration for the design came from a painting in a book on Etruscan art, which depicted the profile of a face with what the artist described as "haunting eyes." Rand drew a face with wide, staring eyes and covered mouth to suggest an individual who is unable to speak. The image evokes a sense of despair or fear, emphasizing the importance of free speech.

Works by this artist (7 items)

Jacob Maentel, Portrait of Elizabeth Sweitzer Musser, ca. 1826, watercolor and pen and ink on paper, Smithsonian American Art Museum, Gift of Ralph and Bobbi Terkowitz, 2019.6.5
Portrait of Elizabeth Sweitzer Musser
Dateca. 1826
watercolor and pen and ink on paper
Not on view
Jacob Maentel, Portrait of Adam Musser, ca. 1822, watercolor and pen and ink on paper, Smithsonian American Art Museum, Gift of Ralph and Bobbi Terkowitz, 2019.6.9
Portrait of Adam Musser
Dateca. 1822
watercolor and pen and ink on paper
Not on view
Jacob Maentel, Portrait of George Musser, ca. 1826, watercolor and pen and ink on paper, Smithsonian American Art Museum, Gift of Ralph and Bobbi Terkowitz, 2019.6.4
Portrait of George Musser
Dateca. 1826
watercolor and pen and ink on paper
Not on view
Jacob Maentel, Portrait of Sarah Musser, 1826, watercolor and pen and ink on paper, Smithsonian American Art Museum, Gift of Ralph and Bobbi Terkowitz, 2019.6.6
Portrait of Sarah Musser
Date1826
watercolor and pen and ink on paper
Not on view

More Artworks from the Collection

Oliver Tarbell Eddy, Self-Portrait, ca. 1850, oil on tin, Smithsonian American Art Museum, Gift of Ralph and Bobbi Terkowitz, 2019.6.3
Self-Portrait
Dateca. 1850
oil on tin
Not on view
Jacob Maentel, Portrait of Elizabeth Sweitzer Musser, ca. 1826, watercolor and pen and ink on paper, Smithsonian American Art Museum, Gift of Ralph and Bobbi Terkowitz, 2019.6.5
Portrait of Elizabeth Sweitzer Musser
Dateca. 1826
watercolor and pen and ink on paper
Not on view
Jacob Maentel, Portrait of Adam Musser, ca. 1822, watercolor and pen and ink on paper, Smithsonian American Art Museum, Gift of Ralph and Bobbi Terkowitz, 2019.6.9
Portrait of Adam Musser
Dateca. 1822
watercolor and pen and ink on paper
Not on view
Ammi Phillips, Portrait of Helen (Lena) Ten Broeck, 1834, oil on canvas, Smithsonian American Art Museum, Gift of Ralph and Bobbi Terkowitz, 2019.6.10
Portrait of Helen (Lena) Ten Broeck
Date1834
oil on canvas
On view