Copied Eve Sussman, Rufus Corporation, whiteonwhite:algorithmicnoir, 2009-2011, two-channel digital cinema installation, dimensions variable, Smithsonian American Art Museum, Museum purchase through the Luisita L. and Franz H. Denghausen Endowment, 2014.43, © 2011, Eve Sussman / Rufus Corporation
- Rufus Corporation
- Not on view
- dimensions variable
- © 2011, Eve Sussman / Rufus Corporation
- Credit Line
- Museum purchase through the Luisita L. and Franz H. Denghausen Endowment
- Mediums Description
- two-channel digital cinema installation
- Architecture Interior — civic — theater
- Object Number
The core of the Rufus Corporation’s “expedition to unravel utopian promise” would become this digital cinema installation whiteonwhite:algorithmicnoic. It is an experimental film composed from two screens: one reflecting the “movie” and one depicting the computer program behind the movie. In making the film, the collective traveled between Moscow and the Caspian Sea, compiling a cinematic record of the landscape, environment, and architecture while filming in local cafes, apartment blocks, and industrial plants. An audio/visual library comprised of 3,000 film clips, 80 voice-overs, and 150 pieces of music forms the basis of an improvised film noir.
A non-linear narrative unfolds through the observations and surveillance of the central protagonist, Holz, who finds himself living in a dystopian futuropolis. Further provoking cinematic form, the film’s presentation is edited in real time by a custom-programmed computer that Sussman has labeled the “serendipity machine.” The artwork is driven by key words that appear on the secondary screen and delivers a changing narrative that runs indefinitely, never playing the same sequence twice. The unexpected juxtapositions of voice, image, and sound create a sense of unyielding suspense that continuously divorces the protagonist from the full course of his own narrative.
Watch This!: Revelations in Media Art, 2015