Seeing Things (4): On Beauty

Media - 1981.109.13 - SAAM-1981.109.13_1 - 6642
Sam Francis, Untitled, 1965, oil on canvas, Smithsonian American Art Museum, Gift of Mr. and Mrs. David K. Anderson, Martha Jackson Memorial Collection, 1981.109.13
July 27, 2009

This is the fourth in a series of personal observations about how people experience and explore museums. Take a look at Howard's other blog posts on the subject: Seeing Things (1), Seeing Things (2): Art and Love, and Seeing Things (3): Seeing in the Dark.

What is beauty?

Don't worry, I'm not going to try and answer that now. It's a beautiful summer day, and I'm walking through American Art looking at art, and watching people as they look at art, and trying to hear a little bit about what they say to each other about what they're seeing.

To me, somehow it all comes down to beauty--the colors the painter chooses to use, as well as his or her stroke and touch. Does similar beauty exist in the video artist's screen or the sculptor's compliant metal? Beauty seems to be everywhere, from the quiet white notes of a Sam Francis painting to the operatic, sweeping compositions of Albert Bierstadt.

I also find beauty in the way people look at the art, and especially when they look at each other right after that. With or without words, art brings us to different conversations and different ways of seeing things.

 

Categories

Recent Posts

Five screen video installation.
Sir Isaac Julien’s moving image installation "Lessons of the Hour" interweaves period reenactments across five screens to create a vivid picture of nineteenth-century activist, writer, orator, and philosopher Frederick Douglass.
This is a photograph of curator Saisha Grayson
Saisha Grayson
Curator of Time-Based Media
Two visitors looking at an abstract painting. There are artworks around them.
01/09/2025
A poet's trip to a museum is eye-opening in unexpected ways