How’d He Do That? A Behind-the-Scenes Look at Lumia

A study of light with green, orange, red, an yellow tones.

Thomas Wilfred, Lumia Suite, Op. 158, 1963–64. Projectors, reflector unit, electrical and lighting elements, and a projection screen; approx. 9 yrs., 127 days, 18 hrs. Museum of Modern Art, New York, Mrs. Simon Guggenheim Fund, 582.1964. Photo: Courtesy Yale University Art Gallery 

Scott
December 28, 2017

 

Scott Rosenfeld is a Lighting Designer at the museum. This post is part of an occasional series where SAAM experts take you behind-the-scenes as they investigate a work of art.

The exhibition, Lumia: Thomas Wilfred and the Art of Light, gives visitors a rare look at the artworks created by Thomas Wilfred that use light as their medium. I was fortunate to work with Eugene and A.J. Epstein, passionate collectors of Lumia, during the installation period to learn how Wilfred choreographed these dazzling displays of colored light. I was particularly impressed with Wilfred’s signature artist mark: the projection of a lightbulb’s filament. I decided to see what I could uncover, and am excited to share this short video that demonstrates what is happening behind Wilfred's magical and mysterious Lumia screens.

 

 

Your last chance to see Wilfred’s work in person is January 7, 2018, when the exhibition must close!

Categories

Recent Posts

Detail of illustrated portrait of Emma Amos.
04/26/2024
Painter, printmaker, and textile artist Emma Amos created colorful multi-media works that explore themes of identity.
Detail of Phoebe Kline. She is sitting in front of orchids and smiling.
Docent Phoebe Kline began at SAAM in 1974 and she's still going strong.
A photograph of a woman in front of artwork
More visitors and new exhibitions highlight a season of change.
 Stephanie Stebich, SAAM's Margaret and Terry Stent Direction in the museum's Lincoln Gallery. Photo by Gene Young. 
Stephanie Stebich
The Margaret and Terry Stent Director, Smithsonian American Art Museum and Renwick Gallery