Remembering Carmen Herrera

Looking back at the long life and extraordinary career of the legendary painter

February 15, 2022
Media - 2011.27A-B - SAAM-2011.27A-B_2 - 90591
Carmen Herrera, Blanco y Verde, 1960, acrylic on canvas, Smithsonian American Art Museum, Museum purchase through the Luisita L. and Franz H. Denghausen Endowment, 2011.27A-B, © 1960 Carmen Herrera
Carmen Herrera, Blanco y Verde, 1960, acrylic on canvas, Smithsonian American Art Museum, Museum purchase through the Luisita L. and Franz H. Denghausen Endowment, 2011.27A-B, © 1960 Carmen Herrera

Carmen Herrera (1915-2022) was a groundbreaking artist whose hard-edged abstractions were unparalleled at the time of their conception in the late 1940s. However, Herrera’s artwork only gained the attention it rightfully deserved when she turned ninety-three. Her first major solo show in New York City occurred when Herrera was nearly 101 years old. With Herrera’s recent death on February 12, 2022 in her home and studio in New York, we remember her remarkable life and work.

Herrera was born in Havana, Cuba where she studied architecture. When she immigrated to New York City in her 20s, she shifted her focus to painting. Herrera moved to Paris in 1948, where she developed an entirely abstracted, minimalist style of work that resulted in crisp, geometric canvases that defined her style going forward. Even though Herrera felt excluded from the commercial art scene during her five-year sojourn in Paris, she interacted with fellow American artists Barnett Newman and Leon Polk Smith, who were also creating geometric works. In Blanco y Verde, Herrera constructed a series of pressure points where green triangles meet the edge of the canvases. The result is a dynamic work that invites viewers to decipher the shifting relationships between color and form.


In this video from SAAM’s 2013 exhibition, Our America: The Latino Presence in American Art, former curator E. Carmen Ramos looks at Herrera’s diptych painting, Blanco y Verde. Ramos notes, “She developed a wide body of work, that was highly experimental and motivated by her interest in form, space and color. Many of her works, including Blanco y Verde, started out as sketches mapped out on paper mathematically in which she played with different forms and space.”

An illustration of a woman standing in front of a wall of colorful, abstract art. The text is a quote from the artist that says "This is an eye opener. This is what I want to do."
Carmen stands in front of artworks that inspired her early on. From "In Awe of the Straight Line," the comic about artist Carmen Herrera. All illustrations by Ezra Gaeta.

Carmen Herrera is one of ten artists we chose to include in SAAM’s recent comic series, Drawn to Art: Ten Tales of Inspiring Women Artists. Herrera’s artistic life was marked by the challenges of being a woman artist at a time when the art world was dominated by men. In fact, she was told by one gallery dealer that they could not show her work because she was a woman. She never gave up, and, when she was well into her eighties, began to garner the attention of collectors, gallerists, and museums.
The comic takes its title from a remark Herrera once made in reference to her painting: “I believe that I will always be in awe of the straight line. Its beauty is what keeps me painting.”


Recent Posts

A photograph of a woman in front of artwork
More visitors and new exhibitions highlight a season of change.
 Stephanie Stebich, SAAM's Margaret and Terry Stent Direction in the museum's Lincoln Gallery. Photo by Gene Young. 
Stephanie Stebich
The Margaret and Terry Stent Director, Smithsonian American Art Museum and Renwick Gallery
Marian Anderson and symbols that surround her life
William H. Johnson portrayed the singer in multiple paintings, including in his Fighters for Freedom series.
A detail of a vibrant painting with a dark navy blue circle on the right surrounded by concentric circles of reds, oranges, and yellow.
As we gather to celebrate this year’s eclipse, Alma Thomas, whose painting The Eclipse is featured in SAAM's collection, noted the influence of natural phenomena on her work.
A photograph of a woman.
Katie Hondorf
Public Affairs Specialist