Téh-ke-néh-kee, Black Coat, a Chief

George Catlin, Téh-ke-néh-kee, Black Coat, a Chief, 1834, oil on canvas, Smithsonian American Art Museum, Gift of Mrs. Joseph Harrison, Jr., 1985.66.286
George Catlin, Téh-ke-néh-kee, Black Coat, a Chief, 1834, oil on canvas, 2924 in. (73.760.9 cm), Smithsonian American Art Museum, Gift of Mrs. Joseph Harrison, Jr., 1985.66.286
Free to use

Artwork Details

Title
Téh-ke-néh-kee, Black Coat, a Chief
Date
1834
Location
Not on view
Dimensions
2924 in. (73.760.9 cm)
Credit Line
Gift of Mrs. Joseph Harrison, Jr.
Mediums
Mediums Description
oil on canvas
Classifications
Subjects
  • Indian — Cherokee
  • Portrait male — Black Coat
Object Number
1985.66.286

Artwork Description

“THE CHER-O-KEES. Living in the vicinity of, and about Fort Gibson, on the Arkansas, and 700 miles west of the Mississippi river, are a third part or more of the once very numerous and powerful tribe who inhabited and still inhabit, a considerable part of the state of Georgia, and under a Treaty made with the United States Government, have been removed to those regions, where they are settled on a fine tract of country; and having advanced somewhat in the arts and agriculture before they started, are now found to be mostly living well, cultivating their fields of corn and other crops, which they raise with great success.” George Catlin painted Black Coat at Fort Gibson, Arkansas Territory, in 1834. (Catlin, Letters and Notes, vol. 2, no. 49, 1841; reprint 1973)

Works by this artist (6 items)

Bill Beirne, Breathe, 1972, single-channel video, black and white, sound; 10:24 minutes, Smithsonian American Art Museum, Museum purchase through the Gene Davis Memorial Fund, 2015.6.1, © 1972, Bill Beirne
Breathe
Date1972
single-channel video, black and white, sound; 10:24 minutes
Not on view
Bill Beirne, Lights of Glass, 1971, 16mm film, black and white, silent; 05:44 minutes, Smithsonian American Art Museum, Museum purchase through the Gene Davis Memorial Fund, 2015.6.4, © 1971, Bill Beirne
Lights of Glass
Date1971
16mm film, black and white, silent; 05:44 minutes
Not on view
Bill Beirne, Drawing, 1972, single-channel video, black and white, sound; 12:42 minutes, Smithsonian American Art Museum, Museum purchase through the Gene Davis Memorial Fund, 2015.6.3, © 1972, Bill Beirne
Drawing
Date1972
single-channel video, black and white, sound; 12:42 minutes
Not on view
Bill Beirne, Cross Reference, 1976, two-channel video installation, color, sound; 32:00 minutes, Smithsonian American Art Museum, Museum purchase through the Gene Davis Memorial Fund, 2015.6.2, © 1976, Bill Beirne
Cross Reference
Date1976
two-channel video installation, color, sound; 32:00 minutes
Not on view

More Artworks from the Collection

My Body Sees You
Date1992
single-channel video, color sound; 05:58 minutes
Not on view
Charlemagne Palestine, Running Outburst, 1975, 5:56 minutes, black & white, sound, Smithsonian American Art Museum, Museum purchase made possible by the Ford Motor Company, 2008.21.6, © 1975, Charlemagne Palestine. Courtesy Electronic Arts Intermix, NY
Running Outburst
Date1975
5:56 minutes, black & white, sound
Not on view
Bill Viola, Silent Life from The Reflecting Pool- Collected Work 1977-80, 1979, 13:14 minutes, color, sound, Smithsonian American Art Museum, Museum purchase made possible by the Ford Motor Company, 2008.21.16.3, © 1979 Bill Viola. Courtesy Electronic Arts Intermix, NY
Silent Life from The Reflecting Pool- Collected Work 1977 – 80
Date1979
13:14 minutes, color, sound
Not on view
Woody Vasulka, Explanation from Selected Works, 1974, 11:45 minutes, color, sound, Smithsonian American Art Museum, Museum purchase made possible by the Ford Motor Company, 2008.21.14.4, © 1974 Woody Vasulka. Courtesy Electronic Arts Intermix, NY
Explanation from Selected Works
Date1974
11:45 minutes, color, sound
Not on view