Medicine Man, Performing His Mysteries over a Dying Man

George Catlin, Medicine Man, Performing His Mysteries over a Dying Man, 1832, oil on canvas, Smithsonian American Art Museum, Gift of Mrs. Joseph Harrison, Jr., 1985.66.161
George Catlin, Medicine Man, Performing His Mysteries over a Dying Man, 1832, oil on canvas, 2924 in. (73.760.9 cm), Smithsonian American Art Museum, Gift of Mrs. Joseph Harrison, Jr., 1985.66.161
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Artwork Details

Title
Medicine Man, Performing His Mysteries over a Dying Man
Date
1832
Location
Not on view
Dimensions
2924 in. (73.760.9 cm)
Credit Line
Gift of Mrs. Joseph Harrison, Jr.
Mediums
Mediums Description
oil on canvas
Classifications
Subjects
  • Dress — Indian dress
  • Ceremony — Indian — Medicine Ceremony
  • Figure male — full length
  • Occupation — medicine — doctor
  • Indian — Blackfoot
Object Number
1985.66.161

Artwork Description

In 1832, George Catlin witnessed a dramatic ritual at Fort Union, two thousand miles northwest of St. Louis. According to the artist, the medicine man began the healing by administering roots and herbs. If this failed, he would try “shaking his frightful rattles, and singing songs of incantation.” Catlin wrote that the medicine man’s clothing often consisted of “the skins of snakes, and frogs, and bats,---beaks and tows and tails of birds,---hoofs of deer, goats, and antelopes,” each possessing “anomalies or deformities,” which gave them their healing power. This healer wore the skin of a yellow bear attached with the hides of snakes. Catlin actually owned the costume, and he sometimes wore it to enhance the spectacle of his Indian Gallery. (Gurney and Heyman, eds., George Catlin and His Indian Gallery, 2002)

Works by this artist (1 item)

Laura Peery, Wall Flowers at the Last Dance, 1978, hand-built and slab-built porcelain colored with oxides and stains, and ribbons, and satin, Smithsonian American Art Museum, Gift of the artist, 1981.86A-F
Wall Flowers at the Last Dance
Date1978
hand-built and slab-built porcelain colored with oxides and stains, and ribbons, and satin
Not on view

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Rudolf Staffel, Light Gatherer, 1985, hand-built translucent porcelain, Smithsonian American Art Museum, Gift of the James Renwick Alliance, 1987.43
Light Gatherer
Date1985
hand-built translucent porcelain
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Ron Fondaw, Fingers, 1978, thrown, slip-cast, and salt-glazed porcelain, Smithsonian American Art Museum, Gift of Suzanne Kores, 1981.18
Fingers
Date1978
thrown, slip-cast, and salt-glazed porcelain
Not on view
Henry Lyman, Coupling Pots, 1979, porcelain with barium-copper glaze, Smithsonian American Art Museum, Gift of the artist, 1981.56A-D
Coupling Pots
Date1979
porcelain with barium-copper glaze
Not on view
Catharine Hiersoux, Columns, 1979, wheel-thrown, assembled, and glazed porcelain, Smithsonian American Art Museum, Gift of an anonymous donor, 1980.61.4
Columns
Date1979
wheel-thrown, assembled, and glazed porcelain
Not on view