Comanche Village, Women Dressing Robes and Drying Meat

George Catlin, Comanche Village, Women Dressing Robes and Drying Meat, 1834-1835, oil on canvas, Smithsonian American Art Museum, Gift of Mrs. Joseph Harrison, Jr., 1985.66.346
George Catlin, Comanche Village, Women Dressing Robes and Drying Meat, 1834-1835, oil on canvas, 2027 14 in. (50.969.3 cm), Smithsonian American Art Museum, Gift of Mrs. Joseph Harrison, Jr., 1985.66.346
Free to use

Artwork Details

Title
Comanche Village, Women Dressing Robes and Drying Meat
Date
1834-1835
Location
Not on view
Dimensions
2027 14 in. (50.969.3 cm)
Credit Line
Gift of Mrs. Joseph Harrison, Jr.
Mediums
Mediums Description
oil on canvas
Classifications
Subjects
  • Architecture Exterior — domestic — teepee
  • Indian — Comanche
  • Animal — dog
  • Occupation — domestic — cooking
  • Figure group
Object Number
1985.66.346

Artwork Description

“The village of the Camanchees,” George Catlin wrote, “is composed of six or eight hundred skin-covered lodges, made of poles and buffalo skins, in the manner precisely as those of the Sioux and other Missouri tribes . . . This village with its thousands of wild inmates, with horses and dogs, and wild sports and domestic occupations, presents a most curious scene; and the manners and looks of the people, a rich subject for the brush and the pen . . . In the view I have made of it, but a small portion of the village is shewn; which is as well as to shew the whole of it, inasmuch as the wigwams, as well as the customs, are the same in every part of it. In the foreground is seen the wigwam of the chief; and in various parts, crotches and poles, on which the women are drying meat, and ‘graining’ buffalo robes.” The artist sketched this image at a Comanche village in 1834. (Catlin, Letters and Notes, vol. 2, no. 42, 1841; reprint 1973)

Works by this artist (7 items)

John McQueen, Touch, 1987, tied red osier sticks, Smithsonian American Art Museum, Gift of Jane and Arthur K. Mason on the occasion of the 25th anniversary of the Renwick Gallery, 1996.98.7
Touch
Date1987
tied red osier sticks
Not on view
John McQueen, Untitled, 1985, white pine bark with ash stitching, Smithsonian American Art Museum, Museum purchase made possible by Mrs. Marshall Langhorne, 1988.55A-H
Untitled
Date1985
white pine bark with ash stitching
Not on view
John McQueen, Untitled, 1992, yucca, Smithsonian American Art Museum, Gift of Eleanor T. and Samuel J. Rosenfeld, 1997.41.3
Untitled
Date1992
yucca
Not on view
John McQueen, Untitled #94, 1980, cedar bark and ash, Smithsonian American Art Museum, Gift of Julian and Elsa Waller in memory of Charles R. Gailis, member, Board of Directors, Haystack Mountain School of Crafts 1972-1991, President of the Board 1975-1981, and constant chronicler of Haystack life, 2007.16
Untitled #94
Date1980
cedar bark and ash
Not on view

Exhibitions

Media - 1985.66.404 - SAAM-1985.66.404_1 - 9039
Picturing the American Buffalo: George Catlin and Modern Native American Artists
October 11, 2019March 13, 2020
Picturing the American Buffalo: George Catlin and Modern Native American Artists examines representations of buffalo and their integration into the lives of Native Americans on the Great Plains in the 1830s and in the twentieth century.

More Artworks from the Collection

George Catlin, Round Island, a Warrior, 1831, oil on canvas, Smithsonian American Art Museum, Gift of Mrs. Joseph Harrison, Jr., 1985.66.265
Round Island, a Warrior
Date1831
oil on canvas
Not on view
A. Patrick, Mrs. Benajah Johnson, 1830, oil on canvas, Smithsonian American Art Museum, Gift of Mrs. Frank Cummings Cook, 1966.71.2
Mrs. Benajah Johnson
Date1830
oil on canvas
Not on view
Robert S. Duncanson, Roses Still Life, ca. 1842-1848, oil on canvas, Smithsonian American Art Museum, Gift of Leonard Granoff, 1983.95.167
Roses Still Life
Dateca. 1842-1848
oil on canvas
Not on view