His-oo-sán-chees, Little Spaniard, a Warrior

George Catlin, His-oo-sán-chees, Little Spaniard, a Warrior, 1834, oil on canvas, Smithsonian American Art Museum, Gift of Mrs. Joseph Harrison, Jr., 1985.66.51
George Catlin, His-oo-sán-chees, Little Spaniard, a Warrior, 1834, oil on canvas, 2924 in. (73.760.9 cm), Smithsonian American Art Museum, Gift of Mrs. Joseph Harrison, Jr., 1985.66.51
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Artwork Details

Title
His-oo-sán-chees, Little Spaniard, a Warrior
Date
1834
Location
Not on view
Dimensions
2924 in. (73.760.9 cm)
Credit Line
Gift of Mrs. Joseph Harrison, Jr.
Mediums
Mediums Description
oil on canvas
Classifications
Subjects
  • Dress — accessory — shield
  • Object — weapon — spear
  • Portrait male — Little Spaniard — full length
  • Indian — Comanche
  • Dress — Indian dress
Object Number
1985.66.51

Artwork Description

George Catlin painted Little Spaniard at the Comanche village in 1834. Impressed with the Comanche warrior, he later wrote of Little Spaniard as “A gallant little fellow . . . represented to us as one of the leading warriors of the tribe; and no doubt . . . one of the most extraordinary men at present living in these regions. He is half Spanish, and being a half-breed, for whom they generally have the most contemptuous feelings, he has been all his life thrown into the front of battle and danger; at which posts he has signalized himself, and commanded the highest admiration and respect of the tribe for his daring and adventurous career. This is the man . . . who dashed out so boldly from the war-party, and came to us with the white flag raised on the point of his lance . . . I have here represented him as he stood for me, with his shield on his arm, with his quiver slung, and his lance of fourteen feet in length in his right hand. This extraordinary little man, whose figure was light, seemed to be all bone and muscle, and exhibited immense power, by the curve of the bones in his legs and his arms. We had many exhibitions of his extraordinary strength, as well as agility; and of his gentlemanly politeness and friendship we had as frequent evidences.” (Catlin, Letters and Notes, vol. 2, no. 42, 1841; reprint 1973)

Works by this artist (2 items)

Henry Le Keux, John Martin, A Sudden Chasm, 1829, engraving, Smithsonian American Art Museum, Gift of Mrs. Nigel Cholmeley-Jones, 1967.54.56
A Sudden Chasm
Date1829
engraving
Not on view
Henry Le Keux, William Henry Bartlett, St. Stephen's Church, Vienna, n.d., engraving on paper, Smithsonian American Art Museum, Gift of Mrs. Nigel Cholmeley-Jones, 1967.14.38
St. Stephen’s Church, Vienna
Daten.d.
engraving on paper
Not on view

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George Catlin, Osceola, n.d., lithograph, Smithsonian American Art Museum, Transfer from the National Museum of Natural History, Department of Ethnology, Smithsonian Institution, 1985.66.386,591E
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George Catlin, Joc-o-sot, the Walking Bear, n.d., lithograph, Smithsonian American Art Museum, Transfer from the National Museum of Natural History, Department of Ethnology, Smithsonian Institution, 1985.66.386,592BBB
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Unidentified (European), Marie Antionete [sic] D'Autriche, Reine de France et de Navarre, Nee a Vienna 2 November 1755, n.d., engraving on paper, Smithsonian American Art Museum, Gift of John Gellatly, 1929.7.23
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