The Subsiding of the Waters of the Deluge

Thomas Cole, The Subsiding of the Waters of the Deluge, 1829, oil on canvas, Smithsonian American Art Museum, Gift of Mrs. Katie Dean in memory of Minnibel S. and James Wallace Dean and museum purchase through the Smithsonian Institution Collections Acquisition Program, 1983.40
Thomas Cole, The Subsiding of the Waters of the Deluge, 1829, oil on canvas, 35 3447 34 in. (90.8121.4 cm), Smithsonian American Art Museum, Gift of Mrs. Katie Dean in memory of Minnibel S. and James Wallace Dean and museum purchase through the Smithsonian Institution Collections Acquisition Program, 1983.40
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Artwork Details

Title
The Subsiding of the Waters of the Deluge
Artist
Date
1829
Dimensions
35 3447 34 in. (90.8121.4 cm)
Credit Line
Gift of Mrs. Katie Dean in memory of Minnibel S. and James Wallace Dean and museum purchase through the Smithsonian Institution Collections Acquisition Program
Mediums
Mediums Description
oil on canvas
Classifications
Subjects
  • Architecture — boat — Noah’s Ark
  • Disaster — flood
  • Religion — Old Testament — Noah
  • Figure — fragment — skull
  • Landscape — mountain
Object Number
1983.40

Artwork Description

Thomas Cole envisioned America as a new start for civilization.In his mind, the American Revolution was like the biblical story of the Great Flood, sweeping away the despotism of the British Crown.In this painting the waters from that Flood subside, suggesting a peaceful future for the young republic.A lone skull resting against the rocks suggests that the world has been washed clean of human folly. At the center of the painting, bathed in light, a dove flies toward land as the ark floats on the calm waters, ready to usher in a new and more enlightened era in America.

Works by this artist (162 items)

Chiura Obata, El Capitán, 1931, color woodcut on paper, Smithsonian American Art Museum, Gift of the Obata Family, 2000.76.24, © 1989, Lillian Yuri Kodani
El Capitán
Date1931
color woodcut on paper
Not on view
Chiura Obata, Untitled (Magnolia in a Blue Round Vase), ca.1930s, ink on paper, Smithsonian American Art Museum, Gift of the Estate of Chiura Obata, 2020.74
Untitled (Magnolia in a Blue Round Vase)
Dateca.1930s
ink on paper
Not on view
Chiura Obata, Landslide, 1941, watercolor on paper, Smithsonian American Art Museum, Gift of the Estate of Chiura Obata, 2020.72.2
Landslide
Date1941
watercolor on paper
Not on view
Chiura Obata, Mono Crater, 1928, watercolor on paper, Smithsonian American Art Museum, Gift of the Estate of Chiura Obata, 2020.72.6
Mono Crater
Date1928
watercolor on paper
Not on view

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Bently
Dateca. 1975
gelatin silver print
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Eugene Von Bruenchenhein, Untitled, ca. 1945-1950, gelatin silver print, Smithsonian American Art Museum, Gift of Lewis and Jean Greenblatt, 2002.86.9
Untitled
Dateca. 1945-1950
gelatin silver print
Not on view
Eugene Von Bruenchenhein, Untitled, ca. 1945-1950, gelatin silver print, Smithsonian American Art Museum, Gift of Lewis and Jean Greenblatt, 2002.86.7
Untitled
Dateca. 1945-1950
gelatin silver print
Not on view
Jared French, Margaret French, PaJaMa, Paul Cadmus, PaJaMa (Box A), ca. 1937, gelatin silver prints, Smithsonian American Art Museum, Bequest of Margaret French, 1999.98.5.16
PaJaMa (Box A)
Dateca. 1937
gelatin silver prints
Not on view