Untitled

Frederick Eversley, Untitled, 1974, polyester resin/cast, 19 58 diam. x 6 12 in. (49.7 diam. x 16.6 cm.), Smithsonian American Art Museum, Museum purchase, 1983.82

Artwork Details

Title
Untitled
Date
1974
Location
Not on view
Dimensions
19 58 diam. x 6 12 in. (49.7 diam. x 16.6 cm.)
Credit Line
Museum purchase
Mediums
Mediums Description
polyester resin/cast
Classifications
Subjects
  • Abstract
Object Number
1983.82

Artwork Description

Eversley speaks of energy, space, time, and matter – concepts familiar to physicists and mathematicians and to an electrical engineer who gave up a career in the space program to make sculpture. The disc form of this untitled work is the result of the centrifugal process. Its highly polished surface concentrates ambient light in a bright central orb that shines like a distant star in the emptiness of space and draws the viewer into a cosmic place. But the parabolic shape also acts like a lens that captures light and the reflections of objects around it into a miniature black universe that dramatically alters relationships in the surrounding space.


African American Art: Harlem Renaissance, Civil Rights Era, and Beyond, 2012

Works by this artist (1 item)

Frederick Eversley, Untitled, 1974, polyester resin/cast, Smithsonian American Art Museum, Museum purchase, 1983.82
Untitled
Date1974
polyester resin/cast
Not on view

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Dennis Byng, Column with Orange, Blue, and Green Diagonals, 1969, laminated plastic, Smithsonian American Art Museum, Gift of Mr. and Mrs. David K. Anderson, Martha Jackson Memorial Collection, 1981.109.1
Column with Orange, Blue, and Green Diagonals
Date1969
laminated plastic
On view
Ray Growler, Billy Goat, ca. 1990, mixed media: carved wood with horns, wool, hide, and plastic, Smithsonian American Art Museum, Gift of Chuck and Jan Rosenak and museum purchase through the Luisita L. and Franz H. Denghausen Endowment, 1997.124.63
Billy Goat
Dateca. 1990
mixed media: carved wood with horns, wool, hide, and plastic
Not on view
Elizabeth M. Poucher, Morris Richard Poucher, ca. 1950-1953, granite on formica base, Smithsonian American Art Museum, Gift of Elizabeth M. Poucher, 1968.63
Morris Richard Poucher
Dateca. 1950-1953
granite on formica base
Not on view
Unidentified, Sturgeon Decoy, ca. 1950s, carved and painted wood with bottlecaps, galvanized iron, and plastic, Smithsonian American Art Museum, Gift of Herbert Waide Hemphill, Jr. and museum purchase made possible by Ralph Cross Johnson, 1986.65.46
Sturgeon Decoy
Artist
Unidentified
Dateca. 1950s
carved and painted wood with bottlecaps, galvanized iron, and plastic
Not on view