Pony Express

James Earle Fraser, Pony Express, 1952, bronze, Smithsonian American Art Museum, Gift of the heirs of Albert Laessle: Mrs. Albertine de Bempt Laessle, Mr. Albert M. Laessle and Mr. Paul Laessle, 1972.167.12
James Earle Fraser, Pony Express, 1952, bronze, 2 78 in. (7.3 cm) diam., Smithsonian American Art Museum, Gift of the heirs of Albert Laessle: Mrs. Albertine de Bempt Laessle, Mr. Albert M. Laessle and Mr. Paul Laessle, 1972.167.12

Artwork Details

Title
Pony Express
Commissioner
Society of Medallic Arts
Founder
Medallic Art Company
Date
1952
Location
Not on view
Dimensions
2 78 in. (7.3 cm) diam.
Credit Line
Gift of the heirs of Albert Laessle: Mrs. Albertine de Bempt Laessle, Mr. Albert M. Laessle and Mr. Paul Laessle
Mediums
Mediums Description
bronze
Classifications
Subjects
  • Equestrian
  • History — United States — exploration
  • History — United States — Pony Express
  • Architecture — vehicle — wagon
  • Animal — cattle
  • Figure male — full length
Object Number
1972.167.12

Artwork Description

This medal is one of James Fraser’s last medallic works and honors the Pony Express, the legendary mail service that ran from April 1860 until October 1861. The image shows a rider fending off attackers and galloping at full speed to his next stop where a fresh horse awaits him. The inscription “Ten days to San Francisco ” was the Pony Express guarantee for transcontinental service. The reverse side of the medal, with the motto “New Frontiers 1849,” reworks a design originally used on the 1926 Oregon Trail commemorative half-dollar.

Works by this artist (4 items)

Robert Birmelin, City Crowd Study--A Street Event, 1983, acrylic on canvas, Smithsonian American Art Museum, Gift of Mr. Louis F. Polk, 1986.74
City Crowd Study – A Street Event
Date1983
acrylic on canvas
Not on view
Robert Birmelin, Wristwatch, 1971, ink, ink wash and pencil on paper, Smithsonian American Art Museum, Gift of the Sara Roby Foundation, 1986.6.5
Wristwatch
Date1971
ink, ink wash and pencil on paper
Not on view
Robert Birmelin, Dalles Dam, Evening, 1975, acrylic on canvas, Smithsonian American Art Museum, Gift of the Sara Roby Foundation, 1986.6.4
Dalles Dam, Evening
Date1975
acrylic on canvas
Not on view
Robert Birmelin, Concrete Viaduct, 1960, conte crayon on paper, Smithsonian American Art Museum, Gift of the Sara Roby Foundation, 1985.30.1
Concrete Viaduct
Date1960
conte crayon on paper
Not on view

More Artworks from the Collection

Valeri Timofeev, Chalice, 1995, fine and sterling silver, 24k gold plate, 24k gold foil, garnets, pearls, turquoise, hematite, tiger's eye, filigree wire, and plique-a-jour on Thompson and Blythe enamels, Smithsonian American Art Museum, Gift of the James Renwick Alliance, 1996.29
Chalice
Date1995
fine and sterling silver, 24k gold plate, 24k gold foil, garnets, pearls, turquoise, hematite, tiger's eye, filigree wire, and plique-a-jour on Thompson and Blythe enamels
Not on view
James I. Meyer, George Washington Belt Buckle, 1974, sterling silver, 14k gold, and ruby, Smithsonian American Art Museum, Museum purchase, 1975.158
George Washington Belt Buckle
Date1974
sterling silver, 14k gold, and ruby
Not on view
Earl Pardon, Bracelet #1962, 1991, sterling silver, 14k gold, enamels with gilt, blue and yellow topaz, amethysts, rhodolite, Smithsonian American Art Museum, Gift of the James Renwick Alliance, Linda Lichtenberg Kaplan and Dr. Louis D. Kaplan in honor of Kenneth R. Trapp, and Colleen and John Kotelly, 2003.40
Bracelet #1962
Date1991
sterling silver, 14k gold, enamels with gilt, blue and yellow topaz, amethysts, rhodolite
Not on view
Marianne Hunter, William Hunter, Evening Blossom, 1989, ebony, 24k gold, sterling silver, enamel, amethyst, and charoite, Smithsonian American Art Museum, Gift of Fleur and Charles Bresler in honor of Kenneth R. Trapp, curator-in-charge of the Renwick Gallery (1995--2003), 2003.60.26A-C, © 1989, William and Marianne Hunter
Evening Blossom
Date1989
ebony, 24k gold, sterling silver, enamel, amethyst, and charoite
Not on view