Study for Richmond Cycle

Richard Hunt, Study for Richmond Cycle, 1977, soldered, bolted, and burnished copper with wood edging, 1960 3424 34 in. (48.3154.362.9 cm.), Smithsonian American Art Museum, Transfer from the General Services Administration, Art-in-Architecture Program, 1977.47.14, © 1977, Richard Hunt

Artwork Details

Title
Study for Richmond Cycle
Artist
Date
1977
Location
Not on view
Dimensions
1960 3424 34 in. (48.3154.362.9 cm.)
Copyright
© 1977, Richard Hunt
Credit Line
Transfer from the General Services Administration, Art-in-Architecture Program
Mediums
Mediums Description
soldered, bolted, and burnished copper with wood edging
Classifications
Subjects
  • General Services Administration — Art-in-Architecture Program
  • Study — sculpture model
  • Abstract
Object Number
1977.47.14

Artwork Description

Study for Richmond Cycle began life as a model for a huge plaza sculpture outside the Social Security Administration building in Richmond, California. Richmond Cycle is composed of two distinct parts that are separated spatially but united visually by virtue of shared materials and surface finish. The large biomorphic mass that seems to emerge from the ground and then arc back calls to mind a living form, an enormous tree that has fallen to the earth or a primordial animal taking its last breath. Together the elements evoke the cycle of life in which age and the weight of experience are paired with the lightness and promise of youth.


African American Art: Harlem Renaissance, Civil Rights Era, and Beyond, 2012

Works by this artist (21 items)

Richard Hunt, Untitled, 1972, lithograph on paper, Smithsonian American Art Museum, Gift of Dr. Frederick P. Nause and Rebecca Nause, 1973.176.19
Untitled
Date1972
lithograph on paper
Not on view
Richard Hunt, (Untitled), 1972, lithograph on paper, Smithsonian American Art Museum, Gift of Dr. Frederick P. Nause and Rebecca Nause, 1973.176.12
(Untitled)
Date1972
lithograph on paper
Not on view
Richard Hunt, (Untitled), 1972, lithograph on paper, Smithsonian American Art Museum, Gift of Dr. Frederick P. Nause and Rebecca Nause, 1973.187.1
(Untitled)
Date1972
lithograph on paper
Not on view
Richard Hunt, (Untitled), 1972, lithograph on paper, Smithsonian American Art Museum, Gift of Dr. Frederick P. Nause and Rebecca Nause, 1973.187.2
(Untitled)
Date1972
lithograph on paper
Not on view

Exhibitions

Media - 1979.159.44 - SAAM-1979.159.44_1 - 56988
Sculpture Down to Scale: Models for Public Art at Federal Buildings, 1974 – 1985
May 31, 2019November 22, 2020
Artists used preliminary models—or maquettes—to communicate their ideas.

More Artworks from the Collection

John Cross, Fish Decoy, 20th century, carved and painted wood, painted copper sheet, ferrous eye hook, lead weight, and glass eyes, Smithsonian American Art Museum, Gift of Alastair B. Martin, 1999.67.10
Fish Decoy
Date20th century
carved and painted wood, painted copper sheet, ferrous eye hook, lead weight, and glass eyes
On view
Saul Baizerman, Primavera, 1954-1955, hammered copper and steel on wood base, Smithsonian American Art Museum, Museum purchase, 1976.132
Primavera
Date1954-1955
hammered copper and steel on wood base
Not on view
Unidentified (American), Fish Decoy, ca. 1930s, carved, painted, and stenciled wood; painted copper sheet; painted ferrous tack eyes; and lead weights, Smithsonian American Art Museum, Gift of Alastair B. Martin, 1999.67.6
Fish Decoy
Artist
Unidentified (American)
Dateca. 1930s
carved, painted, and stenciled wood; painted copper sheet; painted ferrous tack eyes; and lead weights
On view
Unidentified, Merganser Drake Decoy, 20th century, carved and painted wood, Smithsonian American Art Museum, Gift of Herbert Waide Hemphill, Jr. and museum purchase made possible by Ralph Cross Johnson, 1986.65.50
Merganser Drake Decoy
Artist
Unidentified
Date20th century
carved and painted wood
On view