Mail Service in the Tropics (mural study, U.S. Post Office Department, Washington, D.C.)

Rockwell Kent, Mail Service in the Tropics (mural study, U.S. Post Office Department, Washington, D.C.), ca. 1935-1936, pencil and oil on plywood, Smithsonian American Art Museum, Transfer from the General Services Administration, 1982.86.2
Rockwell Kent, Mail Service in the Tropics (mural study, U.S. Post Office Department, Washington, D.C.), ca. 1935-1936, pencil and oil on plywood, 13 1226 12 in. (34.367.3 cm.), Smithsonian American Art Museum, Transfer from the General Services Administration, 1982.86.2

Artwork Details

Title
Mail Service in the Tropics (mural study, U.S. Post Office Department, Washington, D.C.)
Date
ca. 1935-1936
Location
Not on view
Dimensions
13 1226 12 in. (34.367.3 cm.)
Credit Line
Transfer from the General Services Administration
Mediums
Mediums Description
pencil and oil on plywood
Classifications
Subjects
  • Occupation — service — postman
  • Landscape — Puerto Rico
  • Study — mural study
  • Figure group
  • Architecture — vehicle — airplane
  • Animal — horse
Object Number
1982.86.2

Artwork Description

Rockwell Kent chose to celebrate Puerto Rico's first airmail delivery in a scene that verges on abstraction. This was a risky approach for a WPA muralist assigned to tell an accessible and hopeful story on the wall of Washington’s Post Office building. The angles play off of each other in a rhythmic and unified design so that the horse's form appears to echo the shape of the airplane in the background. Sparks flew on Capitol Hill when Kent installed the mural, but the debate had little to do with the style of the painting. The artist cleverly included a protest statement in the finished mural. There, the young woman in the foreground holds a letter written in an Eskimo dialect that says, "To the people of Puerto Rico, our friends! Let us change chiefs. That alone can make us equal and free!" Kent received his $3000 fee for the mural and denied that he had shown partisanship, saying that "The cause of independence in Puerto Rico needs no propaganda. Everybody knows that the majority of the people down there are in favor of it."

Works by this artist (2 items)

Charles Parsons, U.S. Mail Steamer, Illinois, ca. 1835-1861, hand-colored lithograph on paper, Smithsonian American Art Museum, Museum purchase, 1966.42.2
U.S. Mail Steamer, Illinois
Dateca. 1835-1861
hand-colored lithograph on paper
Not on view
Arthur Fitzwilliam Tait, Charles Parsons, American Field Sports. "On a Point.", 1857, hand-colored lithograph on paper, Smithsonian American Art Museum, Transfer from the National Museum of American History, Division of Graphic Arts, Smithsonian Institution, 1973.122.13
American Field Sports. On a Point.”
Date1857
hand-colored lithograph on paper
Not on view

Audio

Stop 199: Mail Service in the Tropics (mural study, U.S. Post Office Department, Washington, D.C.)

Mail Service in the Tropics (mural study, U.S. Post Office Department, Washington, D.C.)
about 1935-1936, pencil and oil on plywood

ROCKWELL KENT
Born: Tarrytown Heights, New York 1882– Died: Plattsburgh, New York 1971

Video Player is loading.
Loaded: 0%
Stream Type LIVE
Remaining Time -:-
 
1x
    • Chapters
    • descriptions off, selected
    • captions off, selected

      More Artworks from the Collection

      Edward Sachse, Smithsonian Institute, ca. 1855, hand-colored lithograph, Smithsonian American Art Museum, Gift of Al Marzorini in honor of Harry Lowe, 2019.23
      Smithsonian Institute
      Dateca. 1855
      hand-colored lithograph
      Not on view
      Marching As to War
      Daten.d.
      color etching
      Not on view
      James Otto Lewis, A Sioux Chief, from The Aboriginal Portfolio, 1835, hand-colored lithograph on paper, Smithsonian American Art Museum, Gift of H. Lyman Sayen to his nation, 1973.167.67
      A Sioux Chief, from The Aboriginal Portfolio
      Date1835
      hand-colored lithograph on paper
      Not on view
      James Otto Lewis, WAA-KAUN-SEE-KAA or the Rattle Snake; A Winnebago Chief, from The Aboriginal Portfolio, 1835, hand-colored lithograph on paper, Smithsonian American Art Museum, Gift of H. Lyman Sayen to his nation, 1973.167.51
      WAA-KAUN-SEE-KAA or the Rattle Snake; A Winnebago Chief,…
      Date1835
      hand-colored lithograph on paper
      Not on view