Hercules and the Erymanthian Boar

Paul Manship, Hercules and the Erymanthian Boar, 1956, bronze on marble base, Smithsonian American Art Museum, Bequest of Paul Manship, 1966.47.55
Paul Manship, Hercules and the Erymanthian Boar, 1956, bronze on marble base, 7 124 783 in. (19.112.57.6 cm), Smithsonian American Art Museum, Bequest of Paul Manship, 1966.47.55

Artwork Details

Title
Hercules and the Erymanthian Boar
Artist
Date
1956
Dimensions
7 124 783 in. (19.112.57.6 cm)
Credit Line
Bequest of Paul Manship
Mediums
Mediums Description
bronze on marble base
Classifications
Subjects
  • Mythology — classical — Erymanthian Boar
  • Animal — pig
  • Figure male — full length
Object Number
1966.47.55

Artwork Description

Paul Manship modeled many sculptures of Hercules, the son of Zeus and the mortal Alcmena. Zeus’s wife, Queen Hera, was jealous of Hercules and tormented him so much that he murdered his own family in a fit of insanity. As punishment, he was sentenced to serve twelve labors for his cousin and enemy, Eurystheus. These included strangling the Nemean lion, whose skin was impenetrable, destroying the many-headed Hydra, and stealing the belt from the Amazon queen Hippolyte. His final labor was to capture Cerberus, a three-headed dog from the kingdom of the dead. Hercules had many more adventures after these tasks were completed, including stealing the Delphic tripod from his half-brother Apollo, and killing the giant Antaeus. Antaeus gained strength every time he touched his mother, the earth, so Hercules defeated him by lifting him high above his head.

Works by this artist (1 item)

Will Heer, Untitled, 1920-1921, watercolor, ink and pencil on fiberboard, Smithsonian American Art Museum, Gift of Laura Dreyfus Barney in memory of her mother, Alice Pike Barney, 1974.93.16
Untitled
Date1920-1921
watercolor, ink and pencil on fiberboard
Not on view

More Artworks from the Collection

Awa Tsireh, Black Horse, ca. 1925-1930, watercolor, ink, and pencil on paper, Smithsonian American Art Museum, Corbin-Henderson Collection, gift of Alice H. Rossin, 1979.144.47
Black Horse
Dateca. 1925-1930
watercolor, ink, and pencil on paper
Not on view
Arthur Dove, Untitled (Centerport), 1941, watercolor, gouache, ink and pencil on paper mounted on paperboard, Smithsonian American Art Museum, Gift of the Sara Roby Foundation, 1993.22.2
Untitled (Centerport)
Date1941
watercolor, gouache, ink and pencil on paper mounted on paperboard
Not on view
Oqwa Pi, Leader, Buffalo Dance and Hunter, ca. 1925-1930, watercolor, ink, and pencil on paperboard, Smithsonian American Art Museum, Corbin-Henderson Collection, Gift of Alice H. Rossin, 1979.144.72
Leader, Buffalo Dance and Hunter
Artist
Dateca. 1925-1930
watercolor, ink, and pencil on paperboard
Not on view
Thomas Vigil, Santo Domingo Sandaro Dance, ca. 1920-1925, watercolor, ink, and pencil on paperboard, Smithsonian American Art Museum, Corbin-Henderson Collection, Gift of Alice H. Rossin, 1979.144.53
Santo Domingo Sandaro Dance
Dateca. 1920-1925
watercolor, ink, and pencil on paperboard
Not on view