Fruit Trees, from the A. I. R. Print Portfolio

Patsy Norvell, Fruit Trees, from the A. I. R. Print Portfolio, 1976, lithograph on paper, image and sheet: 22 1430 in. (56.576.2 cm), Smithsonian American Art Museum, Transfer from the National Endowment for the Arts, 1988.18.45

Artwork Details

Title
Fruit Trees, from the A. I. R. Print Portfolio
Date
1976
Location
Not on view
Dimensions
image and sheet: 22 1430 in. (56.576.2 cm)
Credit Line
Transfer from the National Endowment for the Arts
Mediums Description
lithograph on paper
Classifications
Subjects
  • Landscape — tree
Object Number
1988.18.45

Works by this artist (2 items)

Terry Winters, Novalis, 1983-1989, color etching, aquatint and spit bite on paper, Smithsonian American Art Museum, Museum purchase, 1991.94.5, © 1989, Terry Winters
Novalis
Date1983-1989
color etching, aquatint and spit bite on paper
Not on view
Robert Rauschenberg, Treaty, 1974, color lithograph on paper, Smithsonian American Art Museum, Gift of Mr. and Mrs. Jacob Kainen and museum purchase through a grant from the National Endowment for the Arts, 1975.98.3
Treaty
Date1974
color lithograph on paper
Not on view

More Artworks from the Collection

Jacob Lawrence, Community (study for mural, Jamaica, NY), 1986, gouache on paper, Smithsonian American Art Museum, Transfer from the General Services Administration, Art-in-Architecture Program, 1990.36, © 1986, Jacob Lawrence
Community (study for mural, Jamaica, NY)
Date1986
gouache on paper
Not on view
Douglas Brown, Louis Prima's House, New Orleans, 1937, gouache on paper, Smithsonian American Art Museum, Transfer from General Services Administration, 1971.447.12
Louis Prima’s House, New Orleans
Date1937
gouache on paper
Not on view
Abraham Rattner, Study for the Butcher, 1966, gouache on paper, Smithsonian American Art Museum, Bequest of Abraham Rattner, 1981.153.29
Study for the Butcher
Date1966
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Not on view
René Magritte, "Though all the winds of doctrine were let loose to play upon the earth, so truth be in the field, we do ingloriously...to misdoubt her strength. Let her and falsehood grapple; who ever knew truth put to the worse in a free and open encounter?" --John Milton, Areopagitica, 1644. From the series Great Ideas of Western Man., ca. 1958, gouache on paper mounted on paperboard, Smithsonian American Art Museum, Gift of Container Corporation of America, 1984.124.195
Though all the winds of doctrine were let loose to play…
Dateca. 1958
gouache on paper mounted on paperboard
Not on view