Sketch for Machine Composition #2

I. Rice Pereira, Sketch for Machine Composition #2, ca. 1936, pencil and crayon on paper, Smithsonian American Art Museum, Gift of Patricia and Phillip Frost, 1986.92.73
I. Rice Pereira, Sketch for Machine Composition #2, ca. 1936, pencil and crayon on paper, sheet: 17 1222 58 in. (44.557.5 cm), Smithsonian American Art Museum, Gift of Patricia and Phillip Frost, 1986.92.73

Artwork Details

Title
Sketch for Machine Composition #2
Date
ca. 1936
Location
Not on view
Dimensions
sheet: 17 1222 58 in. (44.557.5 cm)
Credit Line
Gift of Patricia and Phillip Frost
Mediums
Mediums Description
pencil and crayon on paper
Classifications
Subjects
  • Architecture — machine
  • Study
  • Fantasy
Object Number
1986.92.73

Artwork Description

Sketch for Machine Composition #2 was inspired by the view from the artist’s studio window. “I used to look in at a power house on 16th Street where I was living, to get the feeling of power house; and then made my own.” Fascinated by their functional beauty, Pereira made machines the central focus of her work in the 1930s. In this study for a painting, she presents devices that appear to have been taken apart and reassembled into a fantastic, abstract creation. Although she appreciated the potential of mechanization to transform society, this drawing has menacing overtones that suggest ambivalence.

Graphic Masters II: Highlights from the Smithsonian American Art Museum, 2009

Works by this artist (1 item)

Louis Emmanuel Soulange-Tessier, Rosa Bonheur, Boy with Cow and Calf by River, n.d., lithograph on paper, Smithsonian American Art Museum, Gift of Mrs. Nigel Cholmeley-Jones, 1967.14.27
Boy with Cow and Calf by River
Daten.d.
lithograph on paper
Not on view

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Four Step Library Ladder
Date1965
joined and fabricated black walnut and oak
Not on view
Peter Danko, Harry's Desk, 1982, walnut, white oak, and leather, Smithsonian American Art Museum, Gift of Harry K. Schwartz, 1997.13
Harry’s Desk
Date1982
walnut, white oak, and leather
Not on view