Is It So Nominated in the Bond?”

John Rogers, "Is It So Nominated in the Bond?", patented 1860, painted plaster, Smithsonian American Art Museum, Gift of John Rogers and Son, 1882.1.3
John Rogers, "Is It So Nominated in the Bond?", patented 1860, painted plaster, 2320 3412 14 in. (58.352.631.0 cm), Smithsonian American Art Museum, Gift of John Rogers and Son, 1882.1.3
Free to use

Artwork Details

Title
Is It So Nominated in the Bond?”
Artist
Date
patented 1860
Location
Not on view
Dimensions
2320 3412 14 in. (58.352.631.0 cm)
Credit Line
Gift of John Rogers and Son
Mediums
Mediums Description
painted plaster
Classifications
Subjects
  • Figure group
  • Performing arts — theater
  • Literature — Shakespeare — Merchant of Venice
Object Number
1882.1.3

Artwork Description

“Is It So Nominated in the Bond?” is from Shakespeare’s Merchant of Venice, and was one of John Rogers’s most popular works. In the scene, Antonio has been called to trial against the moneylender Shylock, who is demanding a pound of flesh for nonpayment of a loan. Antonio’s friend Portia is dressed as a judge trying to bargain with Shylock. Upon the suggestion that a surgeon be present when the flesh is extracted, Shylock challenges, “Is it so nominated in the bond?” to which Portia replies, “It is not so express’d; but what of that? ‘Twere good you do so much for charity.”

Works by this artist (1 item)

Merrill Shatzman, The Big Choice, from the portfolio Point of Departure, 1983-1984, screenprint on paper, Smithsonian American Art Museum, Gift of Jane E. Goldman and Catherine Kernan, 1987.66.20
The Big Choice, from the portfolio Point of Departure
Date1983-1984
screenprint on paper
Not on view

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Oqwa Pi, Hopi Snake Dancer, ca. 1920-1925, watercolor, ink, and pencil on paperboard, Smithsonian American Art Museum, Corbin-Henderson Collection, Gift of Alice H. Rossin, 1979.144.74
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