Back of the Yards

Mitchell Siporin, Back of the Yards, 1938, oil on canvas, Smithsonian American Art Museum, Transfer from General Services Administration, 1971.447.83
Mitchell Siporin, Back of the Yards, 1938, oil on canvas, 24 1836 18 in. (61.391.7 cm), Smithsonian American Art Museum, Transfer from General Services Administration, 1971.447.83

Artwork Details

Title
Back of the Yards
Date
1938
Dimensions
24 1836 18 in. (61.391.7 cm)
Credit Line
Transfer from General Services Administration
Mediums
Mediums Description
oil on canvas
Classifications
Subjects
  • Architecture Exterior — industry — railroad yard
  • Architecture Exterior — domestic — house
  • New Deal — Works Progress Administration, Federal Art Project — Illinois
  • Occupation — industry — railroad
  • Figure group — family
Object Number
1971.447.83

Artwork Description

This image of a downtrodden family making their way through a landscape that combines urban and rural elements has the haunting quality of a nightmare. It emphasizes the misery that workers across the country experienced during the Great Depression. Mitchell Siporin was sympathetic to these workers and felt a connection with them as a Jewish man whose family had suffered and been forced to leave their homeland. He once said: “I have known depression and war and lived in other countries than my own. Everything I have seen and felt I have [hoped would] . . . vindicate and reinforce my artistic ideas . . .” (O’Toole, Mitchell Siporin: The Early Years 1930-1950, 1990)

Works by this artist (19 items)

Thomas Vigil, Costume Studies-Eagle, Buffalo, and Antelope Dances, ca. 1920-1925, watercolor and pencil on paper, Smithsonian American Art Museum, Corbin-Henderson Collection, Gift of Alice H. Rossin, 1979.144.59
Costume Studies-Eagle, Buffalo, and Antelope Dances
Dateca. 1920-1925
watercolor and pencil on paper
Not on view
Thomas Vigil, Snow Bird Dancers, ca. 1920-1925, watercolor and pencil on paper, Smithsonian American Art Museum, Corbin-Henderson Collection, Gift of Alice H. Rossin, 1979.144.56
Snow Bird Dancers
Dateca. 1920-1925
watercolor and pencil on paper
Not on view
Thomas Vigil, Women's Dance, ca. 1920-1925, watercolor and pencil on paper, Smithsonian American Art Museum, Corbin-Henderson Collection, Gift of Alice H. Rossin, 1979.144.62
Women’s Dance
Dateca. 1920-1925
watercolor and pencil on paper
Not on view
Thomas Vigil, Buffalo Dancer, ca. 1920-1930, gouache and pencil on paper, Smithsonian American Art Museum, Corbin-Henderson Collection, Gift of Alice H. Rossin, 1979.144.67
Buffalo Dancer
Dateca. 1920-1930
gouache and pencil on paper
Not on view

More Artworks from the Collection

Marguerite Zorach, Commerce and Industry (mural study), ca. 1932-1934, oil and pencil on canvas, Smithsonian American Art Museum, Gift from the collection of Tessim Zorach, 1970.65.21
Commerce and Industry (mural study)
Dateca. 1932-1934
oil and pencil on canvas
Not on view
Rockwell Kent, Mail Service in the Tropics (mural study, U.S. Post Office Department, Washington, D.C.), ca. 1935-1936, pencil and oil on plywood, Smithsonian American Art Museum, Transfer from the General Services Administration, 1982.86.2
Mail Service in the Tropics (mural study, U.S. Post Office…
Dateca. 1935-1936
pencil and oil on plywood
Not on view
Daniel Putnam Brinley, The Land is Bought from the Indians (Study for mural, Blakely, Georgia post office), 1937, oil, tempera and pencil on paperboard, Smithsonian American Art Museum, Transfer from the General Services Administration, 1974.28.305
The Land is Bought from the Indians (Study for mural,…
Date1937
oil, tempera and pencil on paperboard
Not on view
Werner Drewes, Pointed Brown and Floating Circles, 1933, oil, pen and ink, and pencil on wood panel, Smithsonian American Art Museum, Gift of Patricia and Phillip Frost, 1986.92.17
Pointed Brown and Floating Circles
Date1933
oil, pen and ink, and pencil on wood panel
On view