Apple Vendor

Barbara Stevenson, Apple Vendor, ca. 1933-1934, oil on canvas, Smithsonian American Art Museum, Transfer from the U.S. Department of Labor, 1964.1.97
Barbara Stevenson, Apple Vendor, ca. 1933-1934, oil on canvas, 31 1429 18 in. (79.374.1 cm.), Smithsonian American Art Museum, Transfer from the U.S. Department of Labor, 1964.1.97

Artwork Details

Title
Apple Vendor
Date
ca. 1933-1934
Dimensions
31 1429 18 in. (79.374.1 cm.)
Credit Line
Transfer from the U.S. Department of Labor
Mediums
Mediums Description
oil on canvas
Classifications
Subjects
  • Recreation — leisure — smoking
  • Figure male — full length
  • Architecture — industry — factory
  • Occupation — vendor — fruit seller
  • New Deal — Public Works of Art Project — Missouri
  • Figure group — female and child
  • Cityscape — street
Object Number
1964.1.97

Artwork Description

Barbara Stevenson painted Apple Vendor for the Public Works of Art Project (PWAP), a New Deal program created by the federal government to give financial and moral support to American artists during the Great Depression. Artists were encouraged to go out and paint "the American Scene," meaning they should record the look and feel of the country. This scene depicts an old man seated on a street corner, crate in front of him with piles of yellow and red apples for sale at "5 cents a piece." The man’s figure dominates the composition, creating a heroic and monumental presence. In the background the factory chimneys, a sign of industry and hope, strike a silhouette against the golden sky. Perhaps we can also sense optimism for the future in the inclusion of a mother and child in this scene, completing a generational timeline next to the apple vendor.

Works by this artist (8 items)

Isaiah West Taber, Jicorillas Indian, Arizona, ca. 1875, albumen silver print, Smithsonian American Art Museum, Gift of Richard A. Marksbury, 2009.35
Jicorillas Indian, Arizona
Dateca. 1875
albumen silver print
Not on view
Elias A. Bonine, Isaiah West Taber, Pimos Indians, Arizona, ca. 1875, albumen silver print, Smithsonian American Art Museum, Museum purchase from the Charles Isaacs Collection made possible in part by the Luisita L. and Franz H. Denghausen Endowment, 1994.91.29
Pimos Indians, Arizona
Dateca. 1875
albumen silver print
Not on view
Carleton E. Watkins, The Grizzly Giant, Mariposa Grove, Yosemite, California, 1861, printed after 1875, albumen silver print, Smithsonian American Art Museum, Museum purchase from the Charles Isaacs Collection made possible in part by the Luisita L. and Franz H. Denghausen Endowment, 1994.91.278
The Grizzly Giant, Mariposa Grove, Yosemite, California
Date1861, printed after 1875
albumen silver print
Not on view
Carleton E. Watkins, Isaiah West Taber, Half Dome, Yosemite, California, ca. 1870, printed ca. 1875, albumen silver print, Smithsonian American Art Museum, Museum purchase from the Charles Isaacs Collection made possible in part by the Luisita L. and Franz H. Denghausen Endowment, 1994.91.279
Half Dome, Yosemite, California
Dateca. 1870, printed ca. 1875
albumen silver print
Not on view

More Artworks from the Collection

Marcus Root, Caroline Lamb Norris, ca 1855, daguerreotype with tinting, Smithsonian American Art Museum, Gift of Charles Isaacs and Carol Nigro, 1999.86.2
Caroline Lamb Norris
Artist
Attributed to Marcus Root
Dateca 1855
daguerreotype with tinting
Not on view
Unidentified, The Reluctant Model (Young Child Being Held), ca 1850s, daguerreotype, Smithsonian American Art Museum, Gift of Charles Isaacs and Carol Nigro, 1999.86.1
The Reluctant Model (Young Child Being Held)
Artist
Unidentified
Dateca 1850s
daguerreotype
Not on view
Mr. and Mrs. Owens of Bridgeville, Sussex County, Delaware
Artist
Unidentified
Dateca. 1860-1880
charcoal and white chalk on photograph
Not on view
Unidentified, Garrison Tales from Tonquin by James O'Neill, 19th century, color process print, Smithsonian American Art Museum, 1982.19.3
Garrison Tales from Tonquin by James O’Neill
Artist
Unidentified
Date19th century
color process print
Not on view