Untitled (Pig with Corkscrew Tail)

Bill Traylor, Untitled (Pig with Corkscrew Tail), ca. 1940, pencil and opaque watercolor on paperboard, Smithsonian American Art Museum, Gift of Chuck and Jan Rosenak, 1983.11, © 1994, Bill Traylor Family Trust
Bill Traylor, Untitled (Pig with Corkscrew Tail), ca. 1940, pencil and opaque watercolor on paperboard, sheet: 1218 in. (30.545.7 cm), Smithsonian American Art Museum, Gift of Chuck and Jan Rosenak, 1983.11, © 1994, Bill Traylor Family Trust

Artwork Details

Title
Untitled (Pig with Corkscrew Tail)
Artist
Date
ca. 1940
Location
Not on view
Dimensions
sheet: 1218 in. (30.545.7 cm)
Copyright
© 1994, Bill Traylor Family Trust
Credit Line
Gift of Chuck and Jan Rosenak
Mediums Description
pencil and opaque watercolor on paperboard
Classifications
Subjects
  • Animal — pig
Object Number
1983.11

Artwork Description

Bill Traylor was part of the first generation of black people to become American citizens. Born into an enslaved family in rural Alabama, he was an eyewitness to history: the Civil War, Emancipation, Reconstruction, Jim Crow segregation, the Great Migration, and the steady rise of African American culture in the South. In his late years, Traylor put down a lifetime of memories, dreams, stories, and scenes. His images reflect on seven long decades of farm labor and an evolving black citizenry in urban Montgomery. Some of his works are serene, others reflect the violent atmosphere of his time and place. Animals depicted alone on found cardboard are among Traylor's most easily recognizable works. He portrayed them as individuals, creatures he knew well, unique in shape and character in ways that went far beyond their species. 

Works by this artist (17 items)

Bill Traylor, Untitled (Construction with Yawping Woman), ca. 1939-1942, opaque watercolor and pencil on paperboard, Smithsonian American Art Museum, Museum purchase through the Luisita L. and Franz H. Denghausen Endowment, 2016.14.1, © 1994, Bill Traylor Family Trust
Untitled (Construction with Yawping Woman)
Dateca. 1939-1942
opaque watercolor and pencil on paperboard
Not on view
Bill Traylor, Untitled (Dog Fight with Writing), ca. 1939-1940, opaque watercolor and pencil on paperboard, Smithsonian American Art Museum, Museum purchase through the Luisita L. and Franz H. Denghausen Endowment, 2016.14.2, © 1994, Bill Traylor Family Trust
Untitled (Dog Fight with Writing)
Dateca. 1939-1940
opaque watercolor and pencil on paperboard
Not on view
Bill Traylor, Untitled (Mule), December 1939, opaque watercolor and pencil on paperboard, Smithsonian American Art Museum, The Margaret Z. Robson Collection, Gift of John E. and Douglas O. Robson, 2016.38.90, © 1994, Bill Traylor Family Trust
Untitled (Mule)
DateDecember 1939
opaque watercolor and pencil on paperboard
Not on view
Bill Traylor, Untitled (Brown Pig), April 1940, opaque watercolor and pencil on paperboard, Smithsonian American Art Museum, The Margaret Z. Robson Collection, Gift of John E. and Douglas O. Robson, 2016.38.70, © 1994, Bill Traylor Family Trust
Untitled (Brown Pig)
DateApril 1940
opaque watercolor and pencil on paperboard
Not on view

More Artworks from the Collection

William H. Johnson, City Gates, Kairouan, ca. 1932, watercolor and pencil on paper, Smithsonian American Art Museum, Gift of the Harmon Foundation, 1967.59.67
City Gates, Kairouan
Dateca. 1932
watercolor and pencil on paper
Not on view
William H. Johnson, Kairouan, Tunisia, 1932, watercolor with pencil on paper, Smithsonian American Art Museum, Gift of the Harmon Foundation, 1967.59.859
Kairouan, Tunisia
Date1932
watercolor with pencil on paper
Not on view
Ben Cunningham, Resources of the Soil (Mural Study, Ukiah, California Post Office), ca. 1938, tempera, pencil and watercolor on illustration board, Smithsonian American Art Museum, Transfer from the General Services Administration, 1974.28.127
Resources of the Soil (Mural Study, Ukiah, California Post…
Dateca. 1938
tempera, pencil and watercolor on illustration board
Not on view
William H. Johnson, Tunisian Street Scene with Figures, ca. 1932, watercolor and pencil on paper, Smithsonian American Art Museum, Gift of the Harmon Foundation, 1967.59.38
Tunisian Street Scene with Figures
Dateca. 1932
watercolor and pencil on paper
Not on view