Artist

Ben Kamihira

born Yakima, WA 1925-died Philadelphia, PA 2004
Born
Yakima, Washington, United States
Died
Philadelphia, Pennsylvania, United States
Biography

Following internment with his Japanese-born parents at the beginning of World War II, Kamihira was drafted into the U.S. Army. On the GI Bill he attended the Art Institute of Pittsburgh and the Pennsylvania Academy of the Fine Arts where he studied with Walter Stuempfig and Francis Speight. Kamihira has taught at the Pennsylvania Academy and Pennsylvania State University, and he served as artist-in-residence at Rice University in Houston. His aesthetic roots can be traced to the Venetian masters of the sixteenth and seventeenth centuries—Veronese, Tintoretto, Guardi—and his early landscapes, figural subjects, and religious themes reflect his interest in Baroque compositional devices. Yet Kamihira is also indebted to recent movements. His abiding interest in dramatic lighting and surface textures—he executes satins and brocades with exquisite attention to tactile effects—and his use of illogical viewpoints and spatial arrangements suggest links with European Surrealism of the 1930s.

Virginia M. Mecklenburg Modern American Realism: The Sara Roby Foundation Collection (Washington, D.C.: Smithsonian Institution Press for the National Museum of American Art, 1987)

Works by this artist (483 items)

Paul Manship, Susanna (#1), 1948, marble, Smithsonian American Art Museum, Bequest of Paul Manship, 1966.47.1
Susanna (#1)
Date1948
marble
On view
Paul Manship, Eve (#1), 1935, bronze, Smithsonian American Art Museum, Bequest of Paul Manship, 1966.47.6
Eve (#1)
Date1935
bronze
On view
Paul Manship, Model of Flagpole Base, Alfred E. Smith Memorial, n.d., cast posthumously, bronze, Smithsonian American Art Museum, Museum purchase, 1971.15
Model of Flagpole Base, Alfred E. Smith Memorial
Daten.d., cast posthumously
bronze
On view
Paul Manship, Study for Venus Anadyomene, 1924, bronze on marble base, Smithsonian American Art Museum, Bequest of Paul Manship, 1966.47.57
Study for Venus Anadyomene
Date1924
bronze on marble base
On view